The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
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The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
But one bed, at least, in the royal house remained cold and
unoccupied--Mary Hamilton had never returned home all night. Under the
castle wall she kept her weary watch; and, as the dawn widened into
day, she was still pacing hurriedly up and down, up and down, and at
every fresh turn casting a horror-stricken look towards the sky.
Presently the mist rolled slowly away, curling downwards from
the heights of Craigton and the bleak outline of Drum-Carro Hill,
disclosing the bare and cheerless table-land that forms the eastern
boundary of Fife. The changing wind cleared the loaded atmosphere, and
glimpses of blue became apparent through the fleecy vapours dispersing
rapidly as they were driven out to sea; already the beams of morning
were gilding the sands of the bay, and two or three fishing-boats,
hoisting their white sails, were putting out hopefully from the shore;
the cheery voices of the sailors came pleasantly over the water, and
reached the ears of the watcher under the castle wall. Still the hood
was drawn over her face; still she paced with that monotonous tread
up and down, up and down; still the poor fool, crouching under his
buttress, moaned and rocked and shivered, urging pitifully that he was
‘wantin’ hame--wantin’ hame.’
Then, though the castle yet remained a huge black mass in deep shadow,
spire and pinnacle on the cathedral began to blush and glow in the
morning sun; presently, when Mary Hamilton turned in her walk, her eye
was dazzled by his horizontal beams streaming along a pathway of molten
gold as he rose cloudless from the sea. Retracing her steps, she saw
the whole massive building before her shine out at once in a flood of
warm yellow light; then she stopped short, bending forward with her
hand outstretched, and listening eagerly.
Comforted by the warmth, the fool rose from his lair and rubbed his
hands together, with an attempt at cheerfulness, shifting alternately
from one foot to the other in a kind of measured dance, and striving
in his vacant, half-witted manner to attract the attention of his
companion.
She neither moved nor noticed him; still in the same attitude, with her
neck bent forward, her hand stretched out, and the lower part of her
face visible beneath her hood, white and rigid as if cut from marble.
He pulled her cloak impatiently--‘Come awa’ hame,’ he whimpered like a
child left alone in the dark. ‘I’m feared here--I’m feared here; it’s
no sae canny sin’ the dawn.
Wi’ a rising wind,
And a tide comin’ in,
There’s a death to be;
When the wind’s gaed back,
An’ the tide’s at the slack,
There’s a spirit free.’
Public-domain text, read in full here on John Shaqi.
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