The Queen's Maries: A Romance of HolyroodWhyte-Melville, G. J. (George John)
General
The Queen's Maries: A Romance of Holyrood
Whyte-Melville, G. J. (George John)
Mary, Queen of Scots, 1542-1587 -- Fiction
‘A handkerchief of the softest Cyprus silk,’ insisted the archer in his
quiet expressive voice, ‘and rescued by the very man to whom I this
day presented his father’s letters. And yet it is no wonder that the
constable’s son and a Marshal of France should be a brave man. I tell
you, gentlemen, that I saw d’Amville at the head of a band of Huguenots
sorely pressed, and outnumbered by his countrymen of the Catholic
faith, so that he had but one chance of retreat in placing a rapid
stream betwixt himself and his pursuers. As he was facing the enemy,
whilst the last of his followers entered the water, a handkerchief
dropped unnoticed from beneath his corslet. He discovered his loss,
however, as soon as he reached the opposite bank; and dashing once more
into the stream, under a murderous fire, charged through the press
of men-at-arms to the spot where it lay, dismounted, picked it up,
and cut his way back again to his own troop. There was blood on the
handkerchief when his page unarmed him that night; but I think it was
the blood of the bravest man in France.’
‘And the handkerchief?’--cried several voices. ‘Whose was it?’ ‘Who
gave it to him?’ ‘Happy the lady who owned so true a knight!’
The archer smiled once more.
‘Nay, gentlemen,’ said he, ‘it was no love-token after all. But the
marshal is the soul of loyalty as of honour. There was an M and a
crown-royal embroidered on the margin. It belonged to the White
Queen--to her whom France is to lose to-morrow for ever.’
‘What a theme for the minstrel!’ exclaimed d’Elbœuf gaily. ‘Chastelâr!
canst thou hear and be silent? Awake, man! drench thy brain with
Burgundy, and improvise us some stanzas!’
The poet looked up with the air of one who shakes some painful burden
off his mind. He put his cup to his lips, and answered gaily enough.
‘Not on that theme, marquis, at least to-night. Is it not the eve of
our departure? And can there be merriment for France when she thinks
of all she is to lose on the morrow? Nay, gentlemen, if you must have
a song, let it be a lament. Let France mourn the absence of one whose
like she may never hope to see again.’
Seats were drawn nearer the table; the guests’ faces assumed an air of
interest and expectation. Through the open doorway might be seen the
humbler servants of the household crowding eagerly to listen. Chastelâr
looked around him well-pleased, and sang, in a rich mellow voice,
the following stanzas, after the model of his old instructor, the
celebrated Ronsard:--
‘As an upland bare and sere,
In the waning of the year,
When the golden drops are wither’d off the broom;
As a picture when the pride
Of its colouring hath died,
And faded like a phantom into gloom:
‘As a night without a star,
Or a ship without a spar,
Or a mist that broods and gathers o’er the sea;
As a court without a throne,
Or a ring without a stone,
Seems the widow’d land of France bereft of thee.
Public-domain text, read in full here on John Shaqi.
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