The Queen's Reign and Its Commemoration: A literary and pictorial review of the period; the story of the Victorian transformationBesant, Walter
History
The Queen's Reign and Its Commemoration: A literary and pictorial review of the period; the story of the Victorian transformation
Besant, Walter
Great Britain -- History -- Victoria, 1837-1901
When one speaks of the Bourgeois, one means the class which Matthew
Arnold was never tired of ridiculing as without culture, ideals,
or standards. For my own part, I think it would be more useful to
recognise, first, that there are certain occupations in life which can
be carried on very well without ideals; that the advent or genesis
of ideas among certain people would inevitably spoil them for their
humble work; and that it is sufficient for the State if they remain on
the side of order, with due respect to law and justice. Now, whatever
the short-comings of these people with respect to culture, no one can
complain of them with respect to their love of order.
A craftsman--a man who makes anything--may cultivate himself to the
highest, and remain a craftsman; he may be an artist; he may be a poet;
he may nourish himself upon the noblest thoughts, and yet remain a
craftsman. Out of the trade of shoemakers have sprung poets, artists,
and actors. Cobblers have been fierce politicians. But a man who sells
the shoes which another man makes cannot, in the nature of things,
cultivate lofty standards or æsthetic ideals. His occupation, which has
in it something servile, forbids it. And I have here to speak of the
English tradesman, and to show the transformation which has fallen upon
him too.
Let us consider the daily life of a London shopkeeper early in the
present century. He had a shop in Cheapside. The shop occupied the
front part of the ground-floor: at the back was the “parlour,” the
family living-room, which looked out upon a small churchyard, in which
funerals were conducted almost daily; the ground was covered with bones
and bits of coffins; once a month or so the sexton made a bonfire of
the wood. Upstairs were the bedrooms--the best bedroom in front, which
nobody ever occupied because there were no guests. Here the tenant of
the house lived, he and his family; they had no change, and desired
none, from day to day. An apprentice lived with them, slept under
the counter, and made himself useful in the house as well as in the
shop--washing plates and dishes after meals and running errands for his
mistress. One servant was kept; she and the daughters and the mistress
of the house were all occupied perpetually in making things; they made
puddings, cakes, jam, preserves, pickles, cordials, perfumes, washes,
and home-made wines--thin and pallid fluids named after cowslip,
primrose, raspberry, and currant. When they were not making or cooking
they were sewing; all the women of the house sewed perpetually--they
were slaves to the needle: they sat round the table in the parlour,
with a single candle, and sewed in silence all through a winter
evening. The girls had been to school; they went to a private school in
the suburbs, where they learned various small feminine accomplishments;
they learned from their mother certain maxims which should regulate the
conduct of every maiden. And on Sunday they turned out for church in
Public-domain text, read in full here on John Shaqi.
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