France -- History -- Louis XV, 1715-1774 -- Fiction
Luc considered; his curiosity was certainly roused and a sense of
distrust also. The barn was so lonely, the two strangers so peculiar
in appearance--and he recalled how the Italian had called after him,
“Are you going to Avignon to-night?” as if he wished to be sure that
he would be out of their way.
“What can it be?” he murmured to himself, and he thought of coining.
The light from the barn was increasing in intensity as he watched it,
and presently began to take on an artificial red tinge that lit up
windows and door with a lurid glow.
“I think they practise fireworks,” smiled Luc. He put on his hat,
took up his sword, and quietly stepped out into the dreary farm-yard,
followed by his servant.
The first objects that he beheld were three horses fastened to the
stump of an elder tree: two, those ridden by the travellers he had
met yesterday; the third, a black horse of great beauty. Keeping in
the shadows of the house, and avoiding the long trails of flickering
light, Luc and the servant gained the barn and crouched against the
wall of it, endeavouring to find some aperture. Voices raised loudly
and angrily came from within, among them the tones of the Italian
speaking in his own language with great vehemence.
At length Luc found a considerable hole in the loose and rotting
beams that composed the walls of the barn and, looking through, saw
an extraordinary scene.
In the centre of the building stood an iron brazier, which held a
large fire of vivid leaping flame; round this was drawn a chalk circle
marked with various figures and symbols, and beyond that a ring of
dead frogs and snakes.
Behind the brazier stood the Italian attired in a sweeping black robe
and a scarlet skullcap; he held in one hand a long white wand and in
the other a closed parchment-covered book.
Beside him stood the priest regarding him with an expression of
impatience and vexation. The exceeding brightness of the flames threw
over the features of both a glow of red, and gave even their dark
garments something of the colour of blood.
A third man was facing these two. He was standing quite close to
Luc; he had his hands behind his back, and wore a long tabinet
riding-cloak; his slight figure, scarcely of the medium height, was
of a remarkable grace; his hair was clubbed and unpowdered. Luc could
only see his profile, which was sensitive, attractive, and high bred.
This last man was manifestly a noble, which caused Luc some surprise.
He was gazing at him with curiosity when the priest suddenly moved and
disclosed a fourth occupant of the barn. Luc gave a long shudder of
horror and moved back from the hole.
It was the dead body of the heretic peasant woman, sitting upright
in a rude chair with the rope still round her swollen throat and the
harsh flare over her disfigured face, dropping jaw, and staring eyes.
“What is it, Monseigneur?” asked the servant eagerly.
Public-domain text, read in full here on John Shaqi.
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