France -- History -- Louis XV, 1715-1774 -- Fiction
The two young men left the palace and proceeded rapidly, by reason
of the intense cold, through the ways, covered and uncovered, that
led from the royal residence to the other buildings that, ringed by
half-destroyed fortifications, formed the Hradcany. The night was
moonless, and heavy clouds concealed the stars; lanterns placed at
irregular intervals alone lit the way, but Luc de Clapiers guided
his companion accurately enough to the entrance of the huge, soaring,
unfinished, and yet triumphant cathedral of St. Vitus.
“You have been here before?” he asked, as they stepped into the black
hollow of the porch. Though they were of the same regiment, the two
had never been intimate.
“No, Monsieur,” came the fresh young voice out of the dark, “and
you?--I have heard you reason on the new philosophy and speak as one
of those who follow M. de Voltaire--as one of those who do not believe
in God.”
“I do not believe that He can be confined in a church,” answered Luc
quietly. “Yet some churches are so beautiful that one must worship in
them.”
“What?” asked M. d’Espagnac, below his breath. “Glory, perhaps?”
The captain did not answer; he gently pushed open a small door to one
side of the porch. A thin glow of pale-coloured light fell over his
dark cloak and serene face; beyond him could be seen a glimmer like
jewels veiled under water. He pulled off his beaver and entered the
cathedral, followed softly by his companion. For a moment they stood
motionless within the door, which slipped silently into place behind
them.
The air was oppressive with the powerful perfume of strong incense,
and yet even more bitterly cold than the outer night; the light was
dim, flickering, rich, and luxurious, and came wholly from hanging
lamps of yellow, blue, and red glass. In what appeared the extreme
distance, the altar sparkled in the gleam of two huge candles of
painted wax, and behind and about it showed green translucent,
unsubstantial shapes of arches and pillars rising up and disappearing
in the great darkness of the roof, which was as impenetrable as a
starless heaven.
The church was bare of chair or pew or stool; the straight sweep of
the nave was broken only by the dark outlines of princely tombs where
lay the dust of former Bohemian kings and queens: their reclining
figures so much above and beyond humanity, yet so startlingly like
life, could be seen in the flood of ruby light that poured from the
lamps above them, with praying hands and reposeful feet, patient faces
and untroubled pillows on which the stately heads had not stirred for
centuries.
“This is very old, this church, is it not?” whispered M. d’Espagnac.
“Old? Yes, it was built in the days of faith. This is the legend”--he
turned to the left, where two lights of a vivid green cast an
unearthly hue over huge bronze gates that shut off a chapel of the
utmost magnificence and barbaric vividness. A brass ring hung from one
of these gates, and the Frenchman put out his fair hand and touched it.
Public-domain text, read in full here on John Shaqi.
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