Scipio's prophecy, or as much of it as related to the bringing of the
orphaned Ardea to Deer Trace Manor, wrought itself out speedily, as a
matter of course, though there was a vow to be broken by the necessary
journey to the North. At the close of the war, Captain Louis, the
Major's only son, had become, like many another hot-hearted young
Confederate, a self-expatriated exile. On the eve of his departure for
France he had married the Virginia maiden who had nursed him alive after
Chancellorsville. Major Caspar had given the bride away,--the war had
spared no kinsman of hers to stand in this breach,--and when the
God-speeds were said, had himself turned back to the weed-grown fields
of Deer Trace Manor, embittered and hostile, swearing never to set foot
outside of his home acres again while the Union should stand.
For more than twenty years he kept this vow almost literally. A few of
the older negroes, a mere handful of the six score slaves of the old
patriarchal days, cast in their lot with their former master, and with
these the Major made shift thriftily, farming a little, stockraising a
little, and, unlike most of the war-broken plantation owners, clinging
tenaciously to every rood of land covered by the original Dabney
title-deeds.
In this cenobitic interval, if you wanted a Dabney colt or a Dabney cow,
you went, or sent, to Deer Trace Manor on your own initiative, and you,
or your deputy, never met the Major: your business was transacted with
lean, lantern-jawed Japheth Pettigrass, the Major's stock-and-farm
foreman. And although the Dabney stock was pedigreed, you kept your wits
about you; else Pettigrass got much the better of you in the trade, like
the shrewd, calculating Alabama Yankee that he was.
Ardea was born in Paris in the twelfth year of the exile; and the
Virginian mother, pining always for the home land, died in the fifteenth
year. Afterward, Captain Louis fought a long-drawn, losing battle,
figuring bravely in his infrequent letters to his father as a rising
miniature painter; figuring otherwise to the students of the Latin
Quarter as "_ce pauvre Monsieur D'Aubigne_;" leading his little girl
back and forth between his lodgings and the studio where he painted
pictures that nobody would buy, and eking out a miserable existence by
giving lessons in English when he was happy enough to find a pupil.
The brave letters imposed on the Major, as they were meant to do; and
Ardea, the loyal, happening on one of them in her first Deer Trace
summer, read it through with childish sobs and never thereafter opened
her lips on the story of those distressful Paris days. Later she
understood her father's motive better: how he would not be a charge on
an old man rich in nothing but ruin; and the memory of the pinched
childhood became a thing sacred.
Public-domain text, read in full here on John Shaqi.
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