But Miss Annie Laurie never wears ringlets more. Strangely upon her
conscience, like a reproach for her unnatural attenuated youth, came
Menie’s appeal to her for help and comfort. Feeling herself so frivolous
and feeble, so unable to sustain or strengthen, Miss Annie made a
holocaust of her curls, and was satisfied. So much vanity was
relinquished not without a struggle; but great comfort came from the
sacrifice to the heroic penitent.
And Jenny, discontented and angry with them all, furiously now takes the
part of Randall Home, and wonders, in a fuff and outburst, what Miss
Menie can expect that she “lightlies” a bonnie lad like yon. A great
change has taken place on Menie; no one can say it is for the
better--and sullenly and sadly this bright year darkens over the house
of Heathbank.
CHAPTER XXVIII.
“You’re to bide away--you’re no to come near this place. Na, you may
just fecht; but you’ve nae pith compared to Jenny, for a’ sae auld and
thrawn as Jenny has been a’ her days. It’s no me just--it’s your mamma
and the doctor. Bairn! will you daur struggle wi’ me?”
But Menie would dare straggle with any one--neither command nor
resistance satisfies her.
“Let me in--I want to see my mother.”
“You can want your mother for a day--there’s mair than you wanting her.
That puir old haverel there--guid forgie me--she’s a dying woman--has
sairer lack o’ her than you. Keep to your ain place, Menie
Laurie--muckle made o’--muckle thocht o’--but you’re only a bairn for a’
that--you’re no a woman o’ judgment like your mamma or me. I tell yon to
gang away--I will not let you in.”
And Jenny stood firm--a jealous incorruptible sentinel in the passage
which led to Miss Annie Laurie’s room. “Miss Menie, ye’ll no take it ill
what I say,” said Jenny; “there’s death in the house, or fast coming. I
ken what the doctor means. Gang you ben the house, like a guid bairn;
look in your ain glass, and see if there should be a face like that in a
house where He comes.”
Menie looks silently into the countenance before her--the keen,
impatient, irascible face; but it was easy to see a hasty tear dashed
away from Jenny’s cheek.
And without another word, Menie Laurie turned away. Some withered leaves
are lying on the window-sill--the trees are yielding up their treasures,
dropping them down mournfully to the disconsolate soil--but the meagre
yew-tree rustles before her, darkly green in its perennial gloom. Rather
shed the leaves, the hopes--rather yield to winter meekly for the sake
of spring--rather be cut down, and rooted up altogether, than grow to
such a sullen misanthrope as this.
And Menie Laurie looks into her own face; this gloomy brow--these heavy
eyes--are these the daylight features of Menie Laurie?--the
interpretation of her heart? Earnestly and long she reads--no
lesson of vanity, but a stern sermon from that truthful mirror.
Hush!--listen!--what was that?--a cry!
Public-domain text, read in full here on John Shaqi.
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