And now the road begins to slope upwards, the hedgerow breaks and opens
upon braes of close grass, marked here and there by bars and streaks of
brown, like stationary shadows, and rich with little nests of
low-growing heather and hillside flowers. An amphitheatre of low hills
opens now from the summit of this one, which the road mounts. Bare
unwooded slopes, falling away at their base into cultivated fields, and
rising upward in stretches of close-cropped pasture land; soft luxurious
grass, sweet with its thyme and heather, with small eyes of flowers
piercing up from under its close-woven blades--soft as summer couch need
be, and elastic as ever repelled the foot of passing herdsman; but
looking somewhat bare in its piebald livery, as it breaks upon the
bright spring sky above.
And the road dives down--down into the hollows of the circle, where
gleams a winding burn, and rises a village, its roofs of tile and thatch
basking serenely in the sun. A little church, holding up a little open
belfry against the hillside, as if entreating to be lifted higher,
stands at the entrance of the village; and you can already see the
little span-broad bridges that cross the burn, and the signboards which
hang above the doors of the cottage shops in the main street. Here, too,
keeping the road almost like an official of equal authority, the smithy
glows with its fiery eye upon the kirk; for the kirk, you will perceive,
is almost a new one, and has little pretensions to the hereditary
reverence of its small dependency, standing there bare and alone,
without a single grave to keep watch upon; whereas the smiddy’s antique
roof is heavy with lichens; and ploughs and harrows, resplendent in
primitive red and blue, obtrude themselves a little way beyond its door,
with the satisfaction of conscious wealth.
And here is a cottage turning its back upon the burn, and modestly
setting down its white doorstep upon the rude causeway; the door is
open, and some one sits at work by the fireside within; but in a corner
stands a sack of meal, and a little humble counter interposes sideways
between the fire and the threshold. Some humble goods lie on the
window-shelves, and the counter itself has a small miscellany--dim
glasses, full of “sweeties;” dimmer still with balls of cotton, blue and
white, with stiffly-twisted sticks of sampler worsted, and red and
yellow stalks of barley-sugar, scarcely to be distinguished from the
thread. Altogether the counter, with its dangling scales, the
half-filled shelves that break the light from the window, and the few
drawers behind, fit out the village shop where Mrs Lithgow does a little
daily business, enough to keep herself, alone and widowed, in daily
bread.
Public-domain text, read in full here on John Shaqi.
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