Your home heart, Menie--your heart of simple trust and untried quiet. Is
it a good wish, think you, kind and loving though the wisher be? But
Menie looks up at the sky, with something trembling faintly in her mind,
like the quiver of this charmed air under the flood of light--and has
note of unknown voices, faces, visions, coming in upon the calm of her
fair youth, unknown, unfeared; and so she turns to the home lights
again, with nothing but the sweet thrill of innocent expectation to
rouse her, secure in the peace and tranquil serenity of this home heart
of hers, which goes away softly, through the moonlight and the shadow,
through the familiar gloom of the little hall, and into the comforts of
the mother’s parlour, singing its song of conscious happiness under its
breath.
CHAPTER IX.
Left behind! July Home has dried her eyes at last; and out of many a
childish fit of tears and sobbing, suddenly becomes silent like a child,
and, standing on the road, looks wistfully after them, with her lips
apart, and her breast now and then trembling with the swell of her
half-subsided grief. The gentle May wind has taken out of its braid
July’s brown silky hair, and toys with it upon July’s neck with a
half-derisive sympathy, as a big brother plays with the transitory
sorrow of a child. But the faint colour has fled from July’s cheek,
except just on this one flushed spot where it has been resting on her
hand; and with a wistful longing, her young innocent eyes travel along
the vacant road. No one is there to catch this lingering look; and even
the far-off sound, which she bends forward to hear, has died away in the
distance. Another sob comes trembling up--another faint swell of her
breast, and quiver of her lip--and July turns sadly away into the
forsaken house, to which such a sudden air of emptiness and desolation
has come; and, sitting down on the carpet by the window, once more bends
down her face into her hands, and cries to her heart’s content.
There is no change in the parlour of Burnside--not a little table, not a
single chair, has been moved out of its place; yet it is strange to see
the forlorn deserted look which everything has already learned to wear.
Mrs Laurie’s chair gapes with its open empty arms--Menie’s stool turns
drearily towards the wall--and the centre table stands out chill and
prominent, cleared of all kindly litter, idle and presumptuous, the
principal object in the room, no longer submitting to be drawn about
here and there, to be covered or uncovered for anybody’s pleasure. And,
seated close into the window which commands the road, very silent and
upright, shawled and bonneted, sits Miss Janet Home, who, perchance,
since she neither rebukes nor comforts poor little weeping July, may
possibly be crying too.
Public-domain text, read in full here on John Shaqi.
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