Miles away--it was hard to fancy that through these thronged and noisy
streets one could travel miles. Always a long array of shops, and
warehouses, and dingy houses--always a pavement full and crowded--always
a stream of vehicles beside their own in the centre of the way--now and
then a break into some wider space, a square, or cross, or junction of
streets--here and there a great public building, or an old
characteristic house, which Menie feels sure must be something notable,
if anybody were by to point it out. Jenny, interested and curious at
first, is by this time quite stunned and dizzy, and now and then
cautiously glances from the window, with a strong suspicion that she has
been singled out for a mysterious destiny, and that the cab-driver has
some desperate intention of maddening his passengers, by driving them
round and round in a circle of doom through these bewildering streets.
Nothing but the hum of other locomotion, the jolting din of their own,
the jar over the stones of the causeway, the stream of passengers left
behind, and houses gliding past them, give evidence of progress, till,
by-and-by, the stream slackens, the noises decrease--trees break in here
and there among the houses--dusty suburban shrubberies--villakins
standing apart, planted in bits of garden ground--and then, at last, the
tired horse labours up a steep ascent; long palings, trees, and green
slopes of land, reveal themselves to the eyes of the weary travellers,
and, under the full forenoon sun, pretty Hampstead, eagerly looked for,
appears through the shabby cab-windows, with London in a veil of mist
lying far off at its feet.
Instinctively Mrs Laurie puts up her hands to draw her veil forward, and
straighten the edge of her travelling-bonnet--instinctively Menie looses
the ribbons of hers, to shed back the hair from her flushed cheek.
Jenny, not much caring what the inhabitant of Heathbank Cottage may
think of her, only gathers up upon her knee a full armful of bags and
baskets, and draws her breath hard--a note of anticipatory disdain and
defiance--as she nods her head backward, with a toss of impatience, upon
the glass behind her. And now the driver looks back to point with his
whip to a low house on the ascent before him, and demands if he is right
in thinking this ’Eathbank. Nobody can answer; but, after a brief
dialogue with the proprietor of a passing donkey, the cabman stirs his
horse with a chirrup, and a touch of the lash. It is ’Eathbank, and they
are at their journey’s end.
Public-domain text, read in full here on John Shaqi.
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