So slow the hours seem--so full of opportunities of discussion--so
over-brimming with subjects on which they are sure to differ; till
Menie, in her gradually increasing excitement, forgets to note the
progress of time; but is so glad--oh, so glad and joyful--to see the
evening fall dark around them, to hear Maria’s step drawing near the
door, while the lights she carries already throw their glimmer on the
wall. It is late; and now the visitors take leave, somewhat reluctantly,
for Lithgow begins to like his new friends greatly; and Randall, though
something of irritation is in the face, where his smile of disdain still
holds sway, is Menie’s ardent wooer still, and feels a charm in her
presence, simple though he has discovered her to be. But at last they
are gone--safely gone; and Menie, when she has watched them from the
door, and listened to their steps till they die away a distant echo upon
the silent air, steals away in the dark to her own room--not for any
purpose--simply to rest herself a little; and her manner of rest is,
sitting down upon a low stool close by the window, where some pale
moonlight comes in faintly, and bending down her face into her clasped
hands, to weep a little silently and alone.
Is it but to refresh the wistful eyes which this night have been so
busy? is it but to wash and flood away the pain that has been in their
eager deprecating looks, their speeches of anxious tenderness? But Menie
does not say even to herself what it is for, nor why. For some weeks
now, Menie has been sadly given to “crying for nothing,” as she herself
calls it. She thinks she ought to be ashamed of her weakness, and would
be afraid to acknowledge it to any living creature; but somehow, for
these few days, Menie has come away about this same hour every night
into the solitude here, to cry, with sometimes a little impatient sob
bursting out among her tears--though she cannot tell you, will not tell
you--would not whisper even to her own very secret heart, the reason
why.
CHAPTER XVI.
Mrs Laurie sits by the table with her work; but it is still an easy
thing to perceive the irritation on Mrs Laurie’s brow; her hand moves
with an additional rapidity, her breath comes a little faster; and if
you watch, you will see the colour gradually receding from her cheek,
like an ebbing tide, and her foot ceasing to play so impatiently upon
its supporting stool.
Very humbly, like a culprit, Menie draws forward her chair to the light.
She is admonished, ere long, by a hasty answer, an abrupt speech, a
slight pushing back from the table and erection of her figure, that Mrs
Laurie is still angry. It is strange how this cows and subdues
Menie--how eager she is to say something--how humble her tone is--and
how difficult she feels it to find anything to say.
Public-domain text, read in full here on John Shaqi.
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