At the corral he came unexpectedly in sight of the Swede, who grinned a guileless welcome and came toward him, so that Lone could not ride on unless he would advertise his dislike of the place. John Doe, plainly glad to find an excuse to stop, slowed and came to where Swan waited by the gate. "By golly, this is lonesome here," Swan complained, heaving a great sigh. "That judge don't get busy pretty quick, I'm maybe jumping my job. Lone, what you think? You believe in ghosts?" "Naw. What's on your chest, Swan?" Lone slipped sidewise in the saddle, resting his muscles. "You been seeing things?" "No--I don't be seeing things, Lone. But sometimes I been--like I _feel_ something." He stared at Lone questioningly. "What you think, Lone, if you be sitting down eating your supper, maybe, and you feel something say words in your brain? Like you know something talks to you and then quits." Lone gave Swan a long, measuring look, and Swan laughed uneasily. "That sounds crazy. But it's true, what something tells me in my brain. I go and look, and by golly, it's there just like the words tell me." Lone straightened in the saddle. "You better come clean, Swan, and tell the whole thing. What was it? Don't talk in circles. What words did you feel--in your brain?" In spite of himself, Lone felt as he had when the girl had talked to him and called him Charlie. Swan closed the gate behind him with steady hands. His lips were pressed firmly together, as if he had definitely made up his mind to something. Lone was impressed somehow with Swan's perfect control of his speech, his thoughts, his actions. But he was puzzled rather than anything else, and when Swan turned, facing him, Lone's bewilderment did not lessen. "I'll tell you. It's when I'm sitting down to eat my supper. I'm just reaching out my hand like this, to get my coffee. And something says in my head, 'It's a lie. I don't ride backwards. Go look at my saddle. There's blood----' And that's all. It's like the words go far away so I can't hear any more. So I eat my supper, and then I get the lantern and I go look. You come with me, Lone. I'll show you." Without a word Lone dismounted and followed Swan into a small shed beside the stable, where a worn stock saddle hung suspended from a crosspiece, a rawhide string looped over the horn. Lone did not ask whose saddle it was, nor did Swan name the owner. There was no need. Swan took the saddle and swung it around so that the right side was toward them. It was what is called a full-stamped saddle, with the popular wild-rose design on skirts and cantle. Much hard use and occasional oilings had darkened the leather to a rich, red brown, marred with old scars and scratches and the stains of many storms.