His appeal is rather to reason than to the emotions, and by way of contrast we may glance at Canon Wilberforce, who is fluent and fervent, and affords one of the best examples of the emotional preacher. It would seem as though he set himself to arouse and stir up all the feelings of his congregation and lead them into what he conceives to be the right channel. Often choosing most unusual texts, he can yet make direct and pointed appeals from the pulpit, touching the greatest hopes and deepest trusts of human nature, and yet can employ as illustrations the greatest events and the newest discoveries of the day. He uses but little gesture, in this respect being somewhat different from the eminent Wesleyan, the Rev. Hugh Price Hughes, who might also be classed as an emotional--we had almost said passionate--preacher. In fluency and fervour he is probably surpassed by none. Possessed of a remarkably clear, vibrating, and penetrating voice, which seems as though it could thrill through any building, however large, there is no chance of anyone dozing when he is in the pulpit. When pleading some cause or denouncing some wrong, his feelings seem to get the better of him, and he slashes away with his voice in a perfect hurricane of verbal blows. [Illustration: DR. CLIFFORD.] Quite as emotional and quite as fluent is Dr. Clifford of Westbourne Park Baptist Church. His command of language is extraordinary, and with a mind less clear and well-regulated this great fluency might prove a snare; but his discourses are always remarkably well-arranged, his "points" are clear, and his meanings driven home with remarkable emphasis. His congregations are immense, and his hearers are devoted to him. His gestures often follow his words, and one--probably quite unconscious--is, it must be confessed, not graceful, even if forcible: it is a drawing back of his arms, and then shooting them out both together as if appealing to the people. His voice is exceptionally clear, penetrating, and resonant; and in all very popular preachers much is due to the voice. [Illustration: DEAN HOLE.] The Bishop of Stepney, who may be described as bearing all the characteristics of the highly cultured Oxford man, has in addition a deeply sympathetic musical voice. He does not use much gesture, but such as he does employ is well suited to the words, while his illustrations are often drawn from his social and religious work in the East End. He used frequently to preach in Victoria Park, where he has readily acknowledged his best supporters were Nonconformists. [Illustration: CANON BARKER. CANON WILBERFORCE.]