Inheritance and succession -- Fiction; Radio -- Fiction; Science fiction; Spiritualism -- Fiction; Wills -- Fiction
We changed places, and I started off at a speed of about ten miles an
hour. The doctor lifted a small portable radio set from behind the back
seat, adjusted the tuning dials, and slowly moved the loop aerial back
and forth until there was an angry buzz from inside the machine. He then
continued to slowly turn the loop aerial as we moved along, apparently
with the purpose of keeping it in a position where the machine would
buzz the loudest.
I noticed that, at first, the direction of the loop only made a very
slight deviation from the direction in which we were going. Gradually,
however, the deviation grew greater until the loop stood at right angles
to our course. We were, at the moment, passing the entrance to a lane,
which led to a farmhouse set back about half a mile from the road. As we
continued past the lane the aerial gradually straightened out toward our
course.
About a thousand feet beyond the entrance to the lane was a
brightly-lighted filling station. We stopped there, left the car in
charge of the service man, and started across the fields. When we had
gone a short distance, the doctor handed me an automatic pistol.
“I hope we won’t have to do any shooting,” he said, “but it’s safer to
be prepared.”
It took us all of ten minutes to reach the farmhouse. It was in
darkness, except for one of the rear rooms, which was dimly lighted.
Admonishing us to tread carefully, the doctor led the way around the
house. As we rounded the rear porch, I saw that a four-wire aerial had
been stretched between the gable of the house and the barn. A wire
connected to the aerial led down into the dimly lighted rear room.
Instructing us to stay where we were, the doctor crept stealthily up on
the porch and peered through the window. For five minutes at least he
stood there, looking into that room while we waited below. Then he
turned and beckoned to us. Neither Hogan nor I lost any time in getting
up to the window. I’m sure he was as curious as I to learn what was
going on in that room.
Seated on a long bench before an instrument board which contained a
bewildering array of dials, buttons and levers, was a short, bull-necked
man. He wore a close-cropped, bristling pompadour, a thin, fiercely
upturned moustache, and an immense pair of thick-lensed, horn-rimmed
spectacles. A set of headphones covered his ears, and his pudgy hands
worked incessantly with the levers, dials and buttons on the board
before him. The only light in the room came from a panel of frosted
glass which was just above the instrument board. On the panel, which the
operator constantly watched, was a very clear shadow picture of the
living room I had quitted only a short time before, in the home of Miss
Van Loan.
Public-domain text, read in full here on John Shaqi.
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