Man-woman relationships -- Fiction; Marriage -- Fiction
He followed her down the slope. She walked in front, her head slightly
turned as though she listened to make sure that he followed. He noticed
the pride of her handsome body, its erectness and its poise--how it
seemed to glide across the grass without sound or motion. He summed her
up as being abnormally self-conscious and wilfully undiscoverable. He
wondered whether her restraint hid a glorious personality, or served
simply as a disguise for shallowness of mind.--And while he analyzed
her thus, she was scorning herself for the immodesty of her fear and
dumbness.
Kneeling down on the landing to unfasten the rope, he pieced his words
together. “I ought to apologize for what I implied just now. It must
have sounded horribly ungallant to suggest that you should work while I
sat idle.” She did not answer till they were seated side by side in the
narrow stern. Taking a long stroke with her paddle, she shot a searching
glance at him; the veil drew back from her eyes, revealing their
smoldering fire. “That's all right. I don't trouble. You needn't mind.”
Though she had not blamed him, she had not excused him.
Night was falling early; outlines of the country were already growing
vague. Edges of things were blurred; from low-lying meadows silver mists
were rising. In the great silence grasses rustled as cattle stirred
them, the river complained, and a solitary belated bird swept across the
dusk with a dull cry.
It was dangerous and it was tempting--he could not avoid personalities.
He tried to think of other things to say, but they refused to take
shape. His perturbation seemed the rumor of what her mind was enacting.
Several times inquisitive inquiries were on the tip of his tongue;
he checked them. Then her body lurched against him; their shoulders
brushed.
“You have a beautiful name.”
“Indeed! You think so?”
“For me it has only one association.”
Again she brushed against him. He caught the scent of her hair and, in
the twilight, a glimpse of the heavy drooping eyelids.
“I mean that poem by William Morris--it's all about Jehane. You remember
how it runs: 'Had she come all the way for this'----?”
“You're frightened to continue. Isn't that so?” Her tones were cold and
quiet. “'Had she come all the way for this, to part at last without a
kiss?'--I remember. It's all about dripping woods and a country like
this, with a river overflowing its banks, and a man and a girl who were
parted forever 'beside the haystack in the floods.' Jehane was supposed
to be a witch, wasn't she? 'Jehane the brown! Jehane the brown! Give us
Jehane to burn or drown.' There's something like that in the poem---- I
suppose I make you think only of tragic things?”
“Why suppose that?”
“Because I do most people.”
“In my case there's no reason for supposing that. I oughtn't to have
mentioned it.”
Public-domain text, read in full here on John Shaqi.
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