Man-woman relationships -- Fiction; Marriage -- Fiction
Just where he entered, he stooped and picked up something white. She had
dropped her handkerchief, so he knew that he was on the right track. He
followed on tiptoe, afraid lest, if he overtook her suddenly, he might
scare her. In the stealth of the pursuit a novel excitement came upon
him. His eyes were glowing. His breath came and went pantingly. He had
removed his cap; his curly hair lay ruffled on his forehead. He went
forward timidly, half-minded to turn back, ashamed lest he might find
her looking at him. As he penetrated deeper, the stillness grew
and magnified ievery sound. Overhead the branches were woven closer
together, shutting the sunlight out. An air of secrecy gathered round
him. Birds, hopping out of his path under bushes, looked back at him
knowingly. They knew what he did not know himself.
Out of sight, beyond him, there was the sound of moving. Leaves rustled;
silence settled down. They rustled again. He followed. Then he heard the
voice of the river--a little voice which grew louder. It sang to itself
softly. It seemed to be trying to say something. Did it sing in lurement
or warning? Now it seemed to be saying, “Turn back, turn back, turn
back”; and now----. But he couldn't make out the words.
He lifted his face above a clump of shrub-oak and found his eyes
peering into hers. She was too startled to jump back from him; she gazed
wide-eyed, with lips parted and one hand plucking at her breast. She saw
a boy, swift and straight as an arrow, a boy who seemed to stand tiptoe
with eagerness, who had the grace and strength of a Greek runner and the
smooth skin and gentle mouth of a girl.
And Peter in looking at her saw a white face, sensitive as a flower's;
and a mouth, red as a cherry, long and drooping and curved; and two
great gray eyes, clear and wistful in expression; and over the eyes,
dark brows, like a bird's wings spread for flight. Her black hair
had broken loose and hung about her shoulders, giving her a touch of
wildness. Across the whiteness of her forehead it brooded like a cloud.
In the green church of the wood she seemed sacred to Peter.
She laughed throatily, breaking the suspense. “Oh, it's only you.”
Peter stepped out of the underbrush. Then he saw that she had removed
her shoes and stockings, and was standing on the edge of the little
river. Her feet were wet and as small as her hands. They looked cold as
marble in the green dusk. Why was it? More than anything else, the sight
of her feet made him unhappy for her, made him want to care for her,
made him want to bring a smile to her mouth.
“Yes, it's only me,” he said; “but--but I wish it wasn't. I'm sorry.”
She tossed her head, as though she were indignant with him for being
sorry, but she looked at him slantingly, curiously and kindly. “Why
should you be sorry? You don't know who I am? You're not sorry; you only
say that.”
He protested. “But I am. I didn't mean to overhear; but, you know, I
heard what you said---- I was afraid you'd do it.”
Public-domain text, read in full here on John Shaqi.
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