The Raid of Dover: A Romance of the Reign of Woman, A.D. 1940Ford, Douglas Morey
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The Raid of Dover: A Romance of the Reign of Woman, A.D. 1940
Ford, Douglas Morey
Imaginary wars and battles -- Fiction; Socialism -- Fiction; Women -- Suffrage -- Great Britain -- Fiction
Major Wardlaw certainly
knew better than anyone else of what Dover Castle Hill was capable.
The military authorities were very chary of rehearsing its possible
performances, because, in the vulgar parlance of an earlier period, it
would give the show away. It was a "show" that must be closely reserved
and kept dark in times of international peace and quietness.
Meanwhile, the hillside showed but few signs of life; the winds of
heaven blew over it, the rains descended, or the sun shone. Birds
hopped about, and people came and went. Often there was hardly a sound
to break the silence of the hill. A visitor who had climbed the heights
could gaze over the town of Dover and the hills and valleys behind
it, or look right across the Channel to the coast of France, quite
undisturbed by human voice or sound of busy life. But Major Wardlaw
could have told that visitor that on the instant, at a signal, this
placid scene could be converted into one of awful violence and furious
sound; that in a flash the hill would vomit forth, as if from many
avenues of hell, wholesale, fiery death and indiscriminate destruction.
On every side would rise the roar of monster ordnance, the ceaseless
rattle of machine guns, the deafening crack of musketry.
Woe betide the foe that dared to rouse the sleeping monster of the hill!
Such were Wardlaw's Works, as they were called throughout the British
army. When the Major retired from active service, he still lingered
in the neighbourhood of his _magnum opus_. In a charming bungalow,
perched on the hillside of Folkestone Warren, he and Miss Flossie spent
unruffled days amid eminently healthy surroundings.
The Warren, a bay of much natural beauty, had been rescued from
neglect. A station on the line from Folkestone proper to Dover afforded
easy access to the Bay; trees had been planted and roads cut in the
hillside. Everywhere on summer nights the lights gleamed from villas
and bungalows, and down below on the new jetty, and at the mastheads
of scores of pleasure craft. The place suited Major Wardlaw admirably,
and even little Miss Wardlaw, who was by way of being exacting, seemed
quite satisfied with her surroundings. Her father kept a small cutter
in the bay, and frequently took the young lady for health-giving sails
upon the dancing sea. Usually their port of call was Dover. The Major
was always going to Dover. He couldn't keep away from it. When the
cutter was laid up for the winter, he went by train, or sometimes
walked across the wind-swept downs. Dover town itself had no particular
attractions for him. The magnet lay on Castle Hill. In short, Wardlaw
could not keep away from Wardlaw's Works. Even when he was not visiting
the Works, he was always thinking about them. When military friends of
his came over from the Castle or from Shorncliffe, they seemed to talk
of nothing else but Fort Warden--all that it was, and all that it would
be if the critical hour of conflict or invasion ever came.
Public-domain text, read in full here on John Shaqi.
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