The raid of the guerilla: 1911Craddock, Charles Egbert
General
The raid of the guerilla: 1911
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Social life and customs -- Fiction
The group listened respectfully. The blacksmith’s practical knowledge
of the art of war had given him the prestige of a military authority.
Doubtless some of the acquiescent wights entertained a vague wonder how
the army contrived to fare onward bereft of his advice. And, indeed,
despite his maimed estate, his heart was the stoutest that thrilled to
the iteration of the trumpet.
Nearer now it was, and once more echoing down the sunset glen.
“Right wheel, trot--_march_,” he muttered, interpreting the sound of the
horses’ hoofs. “It’s a critter company, fur sure!”
There was no splendor of pageant in the raid of the guerilla into the
Cove. The pines closing above the cleft in the woods masked the entrance
of the “critter company.” Once a gleam of scarlet from the guidon
flashed on the sight. And again a detached horseman was visible in a
barren interval, reining in his steed on the almost vertical slant,
looking the centaur in literal presentation. The dull thud of hoofs
made itself felt as a continuous undertone to the clatter of stirrup and
sabre, and now and again rose the stirring mandate of the trumpet, with
that majestic, sweet sweep of sound which so thrills the senses. They
were coming indubitably, the troop of the dreaded guerilla--indeed, they
were already here. For while the sun still glinted on carbine and sabre
among the scarlet and golden tints of the deciduous growths and the
sombre green of the pines on the loftier slopes, the vanguard in column
of fours were among the gray shadows at the mountains’ base and speeding
into the Cove at a hand-gallop, for the roads were fairly good when once
the level was reached. Though so military a presentment, for they were
all veterans in the service, despite the youth of many, they were not in
uniform. Some wore the brown jeans of the region, girt with sword-belt
and canteen, with great spurs and cavalry boots, and broad-brimmed hats,
which now and again flaunted cords or feathers. Others had attained the
Confederate gray, occasionally accented with a glimmer of gold where a
shoulder-strap or a chevron graced the garb. And yet there was a certain
homogeneity in their aspect, All rode after the manner of the section,
with the “long stirrup” at the extreme length of the limb, and the
immovable pose in the saddle, the man being absolutely stationary, while
the horse bounded at agile speed. There was the similarity of facial
expression, in infinite dissimilarity of feature, which marks a common
sentiment, origin, and habitat. Then, too, they shared something
recklessly haphazard, gay, defiantly dangerous, that, elusive as it
might be to describe, was as definitely perceived as the guidon, riding
apart at the left, the long lance of his pennant planted on his stirrup,
bearing himself with a certain stately pride of port, distinctly
official.
Public-domain text, read in full here on John Shaqi.
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