Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
“You hate to think he put his wife in your cathedral, don’t you?” she
mocked, with a tinkle of profane laughter. And she laughed with
malicious triumph.
She had got free from the cathedral, she had even destroyed the passion
he had. She was glad. He was bitterly angry. Strive as he would, he
could not keep the cathedral wonderful to him. He was disillusioned.
That which had been his absolute, containing all heaven and earth, was
become to him as to her, a shapely heap of dead matter—but dead, dead.
His mouth was full of ash, his soul was furious. He hated her for
having destroyed another of his vital illusions. Soon he would be
stark, stark, without one place wherein to stand, without one belief in
which to rest.
Yet somewhere in him he responded more deeply to the sly little face
that knew better, than he had done before to the perfect surge of his
cathedral.
Nevertheless for the time being his soul was wretched and homeless, and
he could not bear to think of Anna’s ousting him from his beloved
realities. He wanted his cathedral; he wanted to satisfy his blind
passion. And he could not any more. Something intervened.
They went home again, both of them altered. She had some new reverence
for that which he wanted, he felt that his cathedrals would never again
be to him as they had been. Before, he had thought them absolute. But
now he saw them crouching under the sky, with still the dark,
mysterious world of reality inside, but as a world within a world, a
sort of side show, whereas before they had been as a world to him
within a chaos: a reality, an order, an absolute, within a meaningless
confusion.
He had felt, before, that could he but go through the great door and
look down the gloom towards the far-off, concluding wonder of the
altar, that then, with the windows suspended around like tablets of
jewels, emanating their own glory, then he had arrived. Here the
satisfaction he had yearned after came near, towards this, the porch of
the great Unknown, all reality gathered, and there, the altar was the
mystic door, through which all and everything must move on to eternity.
But now, somehow, sadly and disillusioned, he realized that the doorway
was no doorway. It was too narrow, it was false. Outside the cathedral
were many flying spirits that could never be sifted through the
jewelled gloom. He had lost his absolute.
He listened to the thrushes in the gardens and heard a note which the
cathedrals did not include: something free and careless and joyous. He
crossed a field that was all yellow with dandelions, on his way to
work, and the bath of yellow glowing was something at once so sumptuous
and so fresh, that he was glad he was away from his shadowy cathedral.
Public-domain text, read in full here on John Shaqi.
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