Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
They moved quietly, a little wanness on the lips of the children, at
Good Friday, feeling the shadow upon their hearts. Then, pale with a
deathly scent, came the lilies of resurrection, that shone coldly till
the Comforter was given.
But why the memory of the wounds and the death? Surely Christ rose with
healed hands and feet, sound and strong and glad? Surely the passage of
the cross and the tomb was forgotten? But no—always the memory of the
wounds, always the smell of grave-clothes? A small thing was
Resurrection, compared with the Cross and the death, in this cycle.
So the children lived the year of christianity, the epic of the soul of
mankind. Year by year the inner, unknown drama went on in them, their
hearts were born and came to fulness, suffered on the cross, gave up
the ghost, and rose again to unnumbered days, untired, having at least
this rhythm of eternity in a ragged, inconsequential life.
But it was becoming a mechanical action now, this drama: birth at
Christmas for death at Good Friday. On Easter Sunday the life-drama was
as good as finished. For the Resurrection was shadowy and overcome by
the shadow of death, the Ascension was scarce noticed, a mere
confirmation of death.
What was the hope and the fulfilment? Nay, was it all only a useless
after-death, a wan, bodiless after-death? Alas, and alas for the
passion of the human heart, that must die so long before the body was
dead.
For from the grave, after the passion and the trial of anguish, the
body rose torn and chill and colourless. Did not Christ say, “Mary!”
and when she turned with outstretched hands to him, did he not hasten
to add, “Touch me not; for I am not yet ascended to my father.”
Then how could the hands rejoice, or the heart be glad, seeing
themselves repulsed. Alas, for the resurrection of the dead body! Alas,
for the wavering, glimmering appearance of the risen Christ. Alas, for
the Ascension into heaven, which is a shadow within death, a complete
passing away.
Alas, that so soon the drama is over; that life is ended at
thirty-three; that the half of the year of the soul is cold and
historiless! Alas, that a risen Christ has no place with us! Alas, that
the memory of the passion of Sorrow and Death and the Grave holds
triumph over the pale fact of Resurrection!
But why? Why shall I not rise with my body whole and perfect, shining
with strong life? Why, when Mary says: Rabboni, shall I not take her in
my arms and kiss her and hold her to my breast? Why is the risen body
deadly, and abhorrent with wounds?
Public-domain text, read in full here on John Shaqi.
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