Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
“I like some things,” said Ursula. “I like Latin and French—and
grammar.”
He watched her, and all his being seemed attentive to her, then he
shook his head.
“I don’t,” he said. “They say all the brains of the army are in the
Engineers. I think that’s why I joined them—to get the credit of other
people’s brains.”
He said this quizzically and with chagrin. And she became alert to him.
It interested her. Whether he had brains or not, he was interesting.
His directness attracted her, his independent motion. She was aware of
the movement of his life over against hers.
“I don’t think brains matter,” she said.
“What does matter then?” came her Uncle Tom’s intimate, caressing,
half-jeering voice.
She turned to him.
“It matters whether people have courage or not,” she said.
“Courage for what?” asked her uncle.
“For everything.”
Tom Brangwen gave a sharp little laugh. The mother and father sat
silent, with listening faces. Skrebensky waited. She was speaking for
him.
“Everything’s nothing,” laughed her uncle.
She disliked him at that moment.
“She doesn’t practice what she preaches,” said her father, stirring in
his chair and crossing one leg over the other. “She has courage for
mighty little.”
But she would not answer. Skrebensky sat still, waiting. His face was
irregular, almost ugly, flattish, with a rather thick nose. But his
eyes were pellucid, strangely clear, his brown hair was soft and thick
as silk, he had a slight moustache. His skin was fine, his figure
slight, beautiful. Beside him, her Uncle Tom looked full-blown, her
father seemed uncouth. Yet he reminded her of her father, only he was
finer, and he seemed to be shining. And his face was almost ugly.
He seemed simply acquiescent in the fact of his own being, as if he
were beyond any change or question. He was himself. There was a sense
of fatality about him that fascinated her. He made no effort to prove
himself to other people. Let it be accepted for what it was, his own
being. In its isolation it made no excuse or explanation for itself.
So he seemed perfectly, even fatally established, he did not ask to be
rendered before he could exist, before he could have relationship with
another person.
This attracted Ursula very much. She was so used to unsure people who
took on a new being with every new influence. Her Uncle Tom was always
more or less what the other person would have him. In consequence, one
never knew the real Uncle Tom, only a fluid, unsatisfactory flux with a
more or less consistent appearance.
But, let Skrebensky do what he would, betray himself entirely, he
betrayed himself always upon his own responsibility. He permitted no
question about himself. He was irrevocable in his isolation.
So Ursula thought him wonderful, he was so finely constituted, and so
distinct, self-contained, self-supporting. This, she said to herself,
was a gentleman, he had a nature like fate, the nature of an
aristocrat.
Public-domain text, read in full here on John Shaqi.
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