Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
And timorously, his hands went over her, over the salt, compact
brilliance of her body. If he could but have her, how he would enjoy
her! If he could but net her brilliant, cold, salt-burning body in the
soft iron of his own hands, net her, capture her, hold her down, how
madly he would enjoy her. He strove subtly, but with all his energy, to
enclose her, to have her. And always she was burning and brilliant and
hard as salt, and deadly. Yet obstinately, all his flesh burning and
corroding, as if he were invaded by some consuming, scathing poison,
still he persisted, thinking at last he might overcome her. Even, in
his frenzy, he sought for her mouth with his mouth, though it was like
putting his face into some awful death. She yielded to him, and he
pressed himself upon her in extremity, his soul groaning over and over:
“Let me come—let me come.”
She took him in the kiss, hard her kiss seized upon him, hard and
fierce and burning corrosive as the moonlight. She seemed to be
destroying him. He was reeling, summoning all his strength to keep his
kiss upon her, to keep himself in the kiss.
But hard and fierce she had fastened upon him, cold as the moon and
burning as a fierce salt. Till gradually his warm, soft iron yielded,
yielded, and she was there fierce, corrosive, seething with his
destruction, seething like some cruel, corrosive salt around the last
substance of his being, destroying him, destroying him in the kiss. And
her soul crystallized with triumph, and his soul was dissolved with
agony and annihilation. So she held him there, the victim, consumed,
annihilated. She had triumphed: he was not any more.
Gradually she began to come to herself. Gradually a sort of daytime
consciousness came back to her. Suddenly the night was struck back into
its old, accustomed, mild reality. Gradually she realized that the
night was common and ordinary, that the great, blistering, transcendent
night did not really exist. She was overcome with slow horror. Where
was she? What was this nothingness she felt? The nothingness was
Skrebensky. Was he really there?—who was he? He was silent, he was not
there. What had happened? Had she been mad: what horrible thing had
possessed her? She was filled with overpowering fear of herself,
overpowering desire that it should not be, that other burning,
corrosive self. She was seized with a frenzied desire that what had
been should never be remembered, never be thought of, never be for one
moment allowed possible. She denied it with all her might. With all her
might she turned away from it. She was good, she was loving. Her heart
was warm, her blood was dark and warm and soft. She laid her hand
caressively on Anton’s shoulder.
Public-domain text, read in full here on John Shaqi.
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