Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
It had been discovered that Gudrun had a talent for drawing. This
solved the problem of the girl’s indifference to all study. It was said
of her, “She can draw marvellously.”
Suddenly Ursula found a queer awareness existed between herself and her
class-mistress, Miss Inger. The latter was a rather beautiful woman of
twenty-eight, a fearless-seeming, clean type of modern girl whose very
independence betrays her sorrow. She was clever, and expert in what she
did, accurate, quick, commanding.
To Ursula she had always given pleasure, because of her clear, decided,
yet graceful appearance. She carried her head high, a little thrown
back, and Ursula thought there was a look of nobility in the way she
twisted her smooth brown hair upon her head. She always wore clean,
attractive, well-fitting blouses, and a well-made skirt. Everything
about her was so well-ordered, betraying a fine, clear spirit, that it
was a pleasure to sit in her class.
Her voice was just as ringing and clear, and with unwavering,
finely-touched modulation. Her eyes were blue, clear, proud, she gave
one altogether the sense of a fine-mettled, scrupulously groomed
person, and of an unyielding mind. Yet there was an infinite poignancy
about her, a great pathos in her lonely, proudly closed mouth.
It was after Skrebensky had gone that there sprang up between the
mistress and the girl that strange awareness, then the unspoken
intimacy that sometimes connects two people who may never even make
each other’s acquaintance. Before, they had always been good friends,
in the undistinguished way of the class-room, with the professional
relationship of mistress and scholar always present. Now, however,
another thing came to pass. When they were in the room together, they
were aware of each other, almost to the exclusion of everything else.
Winifred Inger felt a hot delight in the lessons when Ursula was
present, Ursula felt her whole life begin when Miss Inger came into the
room. Then, with the beloved, subtly-intimate teacher present, the girl
sat as within the rays of some enrichening sun, whose intoxicating heat
poured straight into her veins.
The state of bliss, when Miss Inger was present, was supreme in the
girl, but always eager, eager. As she went home, Ursula dreamed of the
schoolmistress, made infinite dreams of things she could give her, of
how she might make the elder woman adore her.
Miss Inger was a Bachelor of Arts, who had studied at Newnham. She was
a clergyman’s daughter, of good family. But what Ursula adored so much
was her fine, upright, athletic bearing, and her indomitably proud
nature. She was proud and free as a man, yet exquisite as a woman.
The girl’s heart burned in her breast as she set off for school in the
morning. So eager was her breast, so glad her feet, to travel towards
the beloved. Ah, Miss Inger, how straight and fine was her back, how
strong her loins, how calm and free her limbs!
Public-domain text, read in full here on John Shaqi.
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