Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
So that she was in a very deep mess. In the first place she was
offering to a class a relationship which only one or two of the
children were sensitive enough to appreciate, so that the mass were
left outsiders, therefore against her. Secondly, she was placing
herself in passive antagonism to the one fixed authority of Mr. Harby,
so that the scholars could more safely harry her. She did not know, but
her instinct gradually warned her. She was tortured by the voice of Mr.
Brunt. On it went, jarring, harsh, full of hate, but so monotonous, it
nearly drove her mad: always the same set, harsh monotony. The man was
become a mechanism working on and on and on. But the personal man was
in subdued friction all the time. It was horrible—all hate! Must she be
like this? She could feel the ghastly necessity. She must become the
same—put away the personal self, become an instrument, an abstraction,
working upon a certain material, the class, to achieve a set purpose of
making them know so much each day. And she could not submit. Yet
gradually she felt the invincible iron closing upon her. The sun was
being blocked out. Often when she went out at playtime and saw a
luminous blue sky with changing clouds, it seemed just a fantasy, like
a piece of painted scenery. Her heart was so black and tangled in the
teaching, her personal self was shut in prison, abolished, she was
subjugate to a bad, destructive will. How then could the sky be
shining? There was no sky, there was no luminous atmosphere of
out-of-doors. Only the inside of the school was real—hard, concrete,
real and vicious.
She would not yet, however, let school quite overcome her. She always
said. “It is not a permanency, it will come to an end.” She could
always see herself beyond the place, see the time when she had left it.
On Sundays and on holidays, when she was away at Cossethay or in the
woods where the beech-leaves were fallen, she could think of St.
Philip’s Church School, and by an effort of will put it in the picture
as a dirty little low-squatting building that made a very tiny mound
under the sky, while the great beech-woods spread immense about her,
and the afternoon was spacious and wonderful. Moreover the children,
the scholars, they were insignificant little objects far away, oh, far
away. And what power had they over her free soul? A fleeting thought of
them, as she kicked her way through the beech-leaves, and they were
gone. But her will was tense against them all the time.
All the while, they pursued her. She had never had such a passionate
love of the beautiful things about her. Sitting on top of the tram-car,
at evening, sometimes school was swept away as she saw a magnificent
sky settling down. And her breast, her very hands, clamoured for the
lovely flare of sunset. It was poignant almost to agony, her reaching
for it. She almost cried aloud seeing the sundown so lovely.
Public-domain text, read in full here on John Shaqi.
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