Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
She shared a sort of recklessness with her father, a complete, chosen
carelessness that had the laugh of ridicule in it. He loved to make her
voice go high and shouting and defiant with laughter. The baby was
dark-skinned and dark-haired, like the mother, and had hazel eyes.
Brangwen called him the blackbird.
“Hallo,” Brangwen would cry, starting as he heard the wail of the child
announcing it wanted to be taken out of the cradle, “there’s the
blackbird tuning up.”
“The blackbird’s singing,” Anna would shout with delight, “the
blackbird’s singing.”
“When the pie was opened,” Brangwen shouted in his bawling bass voice,
going over to the cradle, “the bird began to sing.”
“Wasn’t it a dainty dish to set before a king?” cried Anna, her eyes
flashing with joy as she uttered the cryptic words, looking at Brangwen
for confirmation. He sat down with the baby, saying loudly:
“Sing up, my lad, sing up.”
And the baby cried loudly, and Anna shouted lustily, dancing in wild
bliss:
“Sing a song of sixpence
Pocketful of posies,
Ascha! Ascha!——”
Then she stopped suddenly in silence and looked at Brangwen again, her
eyes flashing, as she shouted loudly and delightedly:
“I’ve got it wrong, I’ve got it wrong.”
“Oh, my sirs,” said Tilly entering, “what a racket!”
Brangwen hushed the child and Anna flipped and danced on. She loved her
wild bursts of rowdiness with her father. Tilly hated it, Mrs. Brangwen
did not mind.
Anna did not care much for other children. She domineered them, she
treated them as if they were extremely young and incapable, to her they
were little people, they were not her equals. So she was mostly alone,
flying round the farm, entertaining the farm-hands and Tilly and the
servant-girl, whirring on and never ceasing.
She loved driving with Brangwen in the trap. Then, sitting high up and
bowling along, her passion for eminence and dominance was satisfied.
She was like a little savage in her arrogance. She thought her father
important, she was installed beside him on high. And they spanked
along, beside the high, flourishing hedge-tops, surveying the activity
of the countryside. When people shouted a greeting to him from the road
below, and Brangwen shouted jovially back, her little voice was soon
heard shrilling along with his, followed by her chuckling laugh, when
she looked up at her father with bright eyes, and they laughed at each
other. And soon it was the custom for the passerby to sing out: “How
are ter, Tom? Well, my lady!” or else, “Mornin’, Tom, mornin’, my
Lass!” or else, “You’re off together then?” or else, “You’re lookin’
rarely, you two.”
Anna would respond, with her father: “How are you, John! _Good_
mornin’, William! Ay, makin’ for Derby,” shrilling as loudly as she
could. Though often, in response to “You’re off out a bit then,” she
would reply, “Yes, we are,” to the great joy of all. She did not like
the people who saluted him and did not salute her.
Public-domain text, read in full here on John Shaqi.
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