Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
The Alfred Brangwen of this period had married a woman from Heanor, a
daughter of the “Black Horse”. She was a slim, pretty, dark woman,
quaint in her speech, whimsical, so that the sharp things she said did
not hurt. She was oddly a thing to herself, rather querulous in her
manner, but intrinsically separate and indifferent, so that her long
lamentable complaints, when she raised her voice against her husband in
particular and against everybody else after him, only made those who
heard her wonder and feel affectionately towards her, even while they
were irritated and impatient with her. She railed long and loud about
her husband, but always with a balanced, easy-flying voice and a quaint
manner of speech that warmed his belly with pride and male triumph
while he scowled with mortification at the things she said.
Consequently Brangwen himself had a humorous puckering at the eyes, a
sort of fat laugh, very quiet and full, and he was spoilt like a lord
of creation. He calmly did as he liked, laughed at their railing,
excused himself in a teasing tone that she loved, followed his natural
inclinations, and sometimes, pricked too near the quick, frightened and
broke her by a deep, tense fury which seemed to fix on him and hold him
for days, and which she would give anything to placate in him. They
were two very separate beings, vitally connected, knowing nothing of
each other, yet living in their separate ways from one root.
There were four sons and two daughters. The eldest boy ran away early
to sea, and did not come back. After this the mother was more the node
and centre of attraction in the home. The second boy, Alfred, whom the
mother admired most, was the most reserved. He was sent to school in
Ilkeston and made some progress. But in spite of his dogged, yearning
effort, he could not get beyond the rudiments of anything, save of
drawing. At this, in which he had some power, he worked, as if it were
his hope. After much grumbling and savage rebellion against everything,
after much trying and shifting about, when his father was incensed
against him and his mother almost despairing, he became a draughtsman
in a lace-factory in Nottingham.
He remained heavy and somewhat uncouth, speaking with broad Derbyshire
accent, adhering with all his tenacity to his work and to his town
position, making good designs, and becoming fairly well-off. But at
drawing, his hand swung naturally in big, bold lines, rather lax, so
that it was cruel for him to pedgill away at the lace designing,
working from the tiny squares of his paper, counting and plotting and
niggling. He did it stubbornly, with anguish, crushing the bowels
within him, adhering to his chosen lot whatever it should cost. And he
came back into life set and rigid, a rare-spoken, almost surly man.
Public-domain text, read in full here on John Shaqi.
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