Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
So that gradually the two young people drew apart, escaped from the
elders, to create a new thing by themselves. He worked in the garden to
propitiate his uncle. He talked churches to propitiate his aunt. He
followed Anna like a shadow: like a long, persistent, unswerving black
shadow he went after the girl. It irritated Brangwen exceedingly. It
exasperated him beyond bearing, to see the lit-up grin, the cat-grin as
he called it, on his nephew’s face.
And Anna had a new reserve, a new independence. Suddenly she began to
act independently of her parents, to live beyond them. Her mother had
flashes of anger.
But the courtship went on. Anna would find occasion to go shopping in
Ilkeston at evening. She always returned with her cousin; he walking
with his head over her shoulder, a little bit behind her, like the
Devil looking over Lincoln, as Brangwen noted angrily and yet with
satisfaction.
To his own wonder, Will Brangwen found himself in an electric state of
passion. To his wonder, he had stopped her at the gate as they came
home from Ilkeston one night, and had kissed her, blocking her way and
kissing her whilst he felt as if some blow were struck at him in the
dark. And when they went indoors, he was acutely angry that her parents
looked up scrutinizing at him and her. What right had they there: why
should they look up! Let them remove themselves, or look elsewhere.
And the youth went home with the stars in heaven whirling fiercely
about the blackness of his head, and his heart fierce, insistent, but
fierce as if he felt something baulking him. He wanted to smash through
something.
A spell was cast over her. And how uneasy her parents were, as she went
about the house unnoticing, not noticing them, moving in a spell as if
she were invisible to them. She was invisible to them. It made them
angry. Yet they had to submit. She went about absorbed, obscured for a
while.
Over him too the darkness of obscurity settled. He seemed to be hidden
in a tense, electric darkness, in which his soul, his life was
intensely active, but without his aid or attention. His mind was
obscured. He worked swiftly and mechanically, and he produced some
beautiful things.
His favourite work was wood-carving. The first thing he made for her
was a butter-stamper. In it he carved a mythological bird, a phoenix,
something like an eagle, rising on symmetrical wings, from a circle of
very beautiful flickering flames that rose upwards from the rim of the
cup.
Public-domain text, read in full here on John Shaqi.
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