Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
Anna thought nothing of the gift on the evening when he gave it to her.
In the morning, however, when the butter was made, she fetched his seal
in place of the old wooden stamper of oak-leaves and acorns. She was
curiously excited to see how it would turn out. Strange, the uncouth
bird moulded there, in the cup-like hollow, with curious, thick
waverings running inwards from a smooth rim. She pressed another mould.
Strange, to lift the stamp and see that eagle-beaked bird raising its
breast to her. She loved creating it over and over again. And every
time she looked, it seemed a new thing come to life. Every piece of
butter became this strange, vital emblem.
She showed it to her mother and father.
“That is beautiful,” said her mother, a little light coming on to her
face.
“Beautiful!” exclaimed the father, puzzled, fretted. “Why, what sort of
a bird does he call it?”
And this was the question put by the customers during the next weeks.
“What sort of a bird do you call _that,_ as you’ve got on th’ butter?”
When he came in the evening, she took him into the dairy to show him.
“Do you like it?” he asked, in his loud, vibrating voice that always
sounded strange, re-echoing in the dark places of her being.
They very rarely touched each other. They liked to be alone together,
near to each other, but there was still a distance between them.
In the cool dairy the candle-light lit on the large, white surfaces of
the cream pans. He turned his head sharply. It was so cool and remote
in there, so remote. His mouth was open in a little, strained laugh.
She stood with her head bent, turned aside. He wanted to go near to
her. He had kissed her once. Again his eye rested on the round blocks
of butter, where the emblematic bird lifted its breast from the shadow
cast by the candle flame. What was restraining him? Her breast was near
him; his head lifted like an eagle’s. She did not move. Suddenly, with
an incredibly quick, delicate movement, he put his arms round her and
drew her to him. It was quick, cleanly done, like a bird that swoops
and sinks close, closer.
He was kissing her throat. She turned and looked at him. Her eyes were
dark and flowing with fire. His eyes were hard and bright with a fierce
purpose and gladness, like a hawk’s. She felt him flying into the dark
space of her flames, like a brand, like a gleaming hawk.
They had looked at each other, and seen each other strange, yet near,
very near, like a hawk stooping, swooping, dropping into a flame of
darkness. So she took the candle and they went back to the kitchen.
They went on in this way for some time, always coming together, but
rarely touching, very seldom did they kiss. And then, often, it was
merely a touch of the lips, a sign. But her eyes began to waken with a
constant fire, she paused often in the midst of her transit, as if to
recollect something, or to discover something.
And his face became sombre, intent, he did not really hear what was
said to him.
Public-domain text, read in full here on John Shaqi.
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