Arizona -- Fiction; Frontier and pioneer life -- Fiction; Western stories
This last squall had rendered the Indian girl's trail difficult to
follow. The snow did not quickly melt, and, besides, sheep tracks and
the tracks of horses gave him trouble, until at last he was compelled to
admit that he could not follow her any longer. A faint path or trail
led north, however, and, following that, he soon forgot the girl. Every
surmounted ridge held a surprise for him. The desert seemed never to
change in the vast whole that encompassed him, yet near him it was
always changing. From Red Lake he had seen a peaked, walled, and
canyoned country, as rough as a stormy sea; but when he rode into that
country the sharp and broken features held to the distance.
He was glad to get out of the sand. Long narrow flats, gray with grass
and dotted with patches of greasewood, and lined by low bare ridges of
yellow rock, stretched away from him, leading toward the yellow peak
that seemed never to be gained upon.
Shefford had pictures in his mind, pictures of stone walls and wild
valleys and domed buttes, all of which had been painted in colorful and
vivid words by his friend Venters. He believed he would recognize the
distinctive and remarkable landmarks Venters had portrayed, and he was
certain that he had not yet come upon one of them. This was his second
lonely day of travel and he had grown more and more susceptible to the
influence of horizon and the different prominent points. He attributed
a gradual change in his feelings to the loneliness and the increasing
wildness. Between Tuba and Flagstaff he had met Indians and an
occasional prospector and teamster. Here he was alone, and though he
felt some strange gladness, he could not help but see the difference.
He rode on during the gray, lowering, chilly day, and toward evening
the clouds broke in the west, and a setting sun shone through the
rift, burnishing the desert to red and gold. Shefford's instinctive
but deadened love of the beautiful in nature stirred into life, and the
moment of its rebirth was a melancholy and sweet one. Too late for the
artist's work, but not too late for his soul!
For a place to make camp he halted near a low area of rock that lay like
an island in a sea of grass. There was an abundance of dead greasewood
for a camp-fire, and, after searching over the rock, he found little
pools of melted snow in the depressions. He took off the saddle and
pack, watered his horse, and, hobbling him as well as his inexperience
permitted, he turned him loose on the grass.
Public-domain text, read in full here on John Shaqi.
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