Afterwards, when Ward thought it over, he remembered gratefully that
Charlie Fox had refrained from attempting any discussion of Billy
Louise or from asking any questions even remotely personal. He knew
enough about men to appreciate the tactful silences of the stranger,
and when Billy Louise, on the way home, predicted that the nephew was
going to be a success, Ward did not feel like qualifying the verdict.
"He's going to be a godsend to the old lady," he said. "He seems to
have his sights raised to making things come easier for her from now
on."
"Well, she certainly deserves it. For a college young man--the
ordinary, smart young man who comes out here to astonish the
natives--he's almost human. I was so afraid that Marthy'd get him out
here and then discover he was a perfect nuisance. So many men are."
CHAPTER VI
A MATTER OF TWELVE MONTHS OR SO
Out in the wide spaces, where homes are but scattered oases in the
general emptiness, life does not move uniformly, so far as it concerns
incidents or acquaintanceships. A man or a ranch may experience
complete isolation, and the unbroken monotony which sometimes
accompanies it, for a month at a time. Summer work or winter storm may
be the barrier temporarily raised, and life resolves itself into a
succession of days and nights unbroken by outside influences. They
leave their mark upon humans--these periods of isolation. For better,
for worse, the man changes slowly with the months; he grows more bovine
in his phlegmatic acceptance of his environment, or he becomes restless
and fired with a surplus energy of ambition, or he falls to dreaming
dreams; whatever angle he takes, he changes, imperceptibly perhaps, but
inevitably.
Then the monotony is broken and sometimes with violence. Incident
rushes in upon the heels of incident, and life becomes as tumultuous as
the many moods of nature when it has a wide, open land for a playground.
That is why, perhaps, so much of western life is painted with broad
strokes and raw colors. You are given the crowded action, the
unleashing of emotions and temperaments that have smoldered long under
the blanket of solitary living. You are shown an effect without being
given the cause of that effect. You pronounce the West wild, and you
never think of the long winters that bred in silence and brooding
solitude those storm-periods which seem so primitively savage; of the
days wherein each nature is thrown upon its own resources, with nothing
to feed upon but itself and its own personal interests. And so
characters change, and one wonders why.
Public-domain text, read in full here on John Shaqi.
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