“That’s all, eh?” snarled the man. “Well, I ain’t swallowin’ that! I’m
goin’ to search you!”
She believed she must have screamed at that. She knew she stood up,
prepared to fight him if he attempted to carry out his threat; and once
on her feet she looked backward.
Neither Carrington nor Parsons had moved—they were palely silent,
watching, not offering to interfere. As for that, she knew that any sign
of interference on the part of her friends would result in their instant
death. But she did not know what they _should_ do! Something must be
done, for she could not permit the indignity the man threatened!
Still looking backward, she saw Taylor standing at the end of the
car—where the partition of the smoking-compartment extended outward. He
held a gun in each hand. He had heard her scream, and on his face as the
girl turned toward him, she saw a mirthless grin that made her shiver.
She believed it must have been her gasp that caused the train-robber to
look swiftly at Taylor.
Whatever had caused the man to look toward the rear of the car, he saw
Taylor; and the girl saw him stiffen as his pistol roared in her ears.
Taylor’s pistols crashed at the same instant—twice—the reports almost
together. Afterward she could not have told what surprised her the
most—seeing the man at her side drop his pistol and lurch limply
against a corner of the seat opposite her, and from there slide gently
to the floor, grunting; or the spectacle of Taylor, arrayed in cowboy
garb, emerging from the door of the smoking-compartment, the mirthless
smile on his face, and his guns—he had used both—blazing forth death
to the man who had threatened her.
Nor could she—afterward—have related what followed the sudden
termination of the incident in the car. Salient memories stood out—the
vivid and tragic recollection of chief incidents that occurred
immediately; but she could not have even guessed how they happened.
She saw Taylor as he stood for an instant looking down at the man after
he came running forward to where the other lay; and she saw Taylor leap
for the front door of the car, vanish through it, and slam it after him.
For an instant after that there was silence, during which she shuddered
as she tried to keep her gaze from the thing that lay doubled oddly in
the aisle.
And then she heard more shooting. It came from the direction of the
engine—the staccato crashing of pistols; the shouts of men, their
voices raised in anger.
Public-domain text, read in full here on John Shaqi.
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