The porter chuckled. “I reckon it’s worth a dollar to have a young lady
interested in you,” he told himself in a confidential voice, without
looking at Taylor; “yassir, it’s sure worth a dollar.” He slapped his
knee delightedly. “That young lady a heap interested in you, ’pears
like. While ago she pens me in a corner of the platform. ‘Porter, who’s
that man in the smoking-compartment—that cowboy? What’s his name, an’
where does he live?’ I hesitates, ’cause I didn’t want to betray no
secrets—an’ scratch my haid. Then she pop half a dollar in my hand, an’
I tole her you are Squint Taylor, an’ that you own the Arrow ranch, not
far from Dawes. An’ she thank me an’ go away, grinnin’.”
“And the young lady, George; do you know her name?”
“Them men she’s travelin’ with calls her Marion, boss.”
He peered intently at Taylor for signs of interest. He saw no such
signs, and after a while, noting that Taylor seemed preoccupied, and was
evidently no longer aware of his presence, he slipped out noiselessly.
At nine thirty, Taylor, looking out of the car window, noted that the
country was growing familiar. Fifteen minutes later the porter stuck his
head in between the curtains, saw that Taylor was still absorbed, and
withdrew. At nine fifty-five the porter entered the compartment.
“We’ll be in Dawes in five minutes, boss,” he said. “I’ve toted your
baggage to the door.”
The porter withdrew, and a little later Taylor got up and went out into
the aisle. At the far end of the car, near the door, he saw Marion
Harlan, Parsons, and Carrington.
He did not want to meet them again after what had occurred in the diner,
and he cast a glance toward the door behind him, hoping that the porter
had carried his baggage to that end of the car. But the platform was
empty—his suitcase was at the other end.
He slipped into a seat on the side of the train that would presently
disclose to him a view of Dawes’s depot, and of Dawes itself, leaned an
elbow on the window-sill, and waited. Apparently the three persons at
the other end of the car paid no attention to him, but glancing sidelong
once he saw the girl throw an interested glance at him.
And then the air-brakes hissed; he felt the train slowing down, and he
got up and walked slowly toward the girl and her companions. At about
the same instant she and the others began to move toward the door; so
that when the train came to a stop they were on the car platform by the
time Taylor reached the door. And by the time he stepped out upon the
car platform the girl and her friends were on the station platform,
their baggage piled at their feet.
Public-domain text, read in full here on John Shaqi.
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