“Specimens, eh! Picked them up at Toban’s this morning. They yearned to
hold up the train. There were four, all together, but we had to put two
out of business. I came pretty near forgetting them. If I hadn’t seen
you just now, maybe I would have walked right off and left them here.
Take them to jail, Keats.”
Keats advanced. He met Taylor’s eyes and his lips curved with a sneer:
“Pullin’ off a little grand-stand play, eh! Well, it’s a mighty clever
idea. First you get elected mayor, an’ then you come in here, draggin’
along a couple of mean-lookin’ hombres, an’ say they’ve tried to hold up
the train at Toban’s. It sounds mighty fishy to me!”
Taylor laughed. He heard a chuckle behind him, and he turned, to see
Carrington grinning significantly at Keats. Taylor’s eyes chilled as his
gaze went from one man to the other, for the exchange of glances told
him that between the men there was a common interest, which would link
them together against him. And in the dead silence that followed Keats’s
words, Taylor drawled, grinning coldly:
“Meaning that I’m a liar, Keats?”
His voice was gentle, and his shoulders seemed to droop a little as
though in his mind was a desire to placate Keats. But there were men in
Dawes who had seen Taylor work his guns, and these held their breath and
began to shove backward. That slow, drooping of Taylor’s shoulders was a
danger signal, a silent warning that Taylor was ready for action, swift
and violent.
And faces around Taylor whitened as the man stood there facing Keats,
his shoulders drooping still lower, the smile on his face becoming one
of cold, grim mockery.
The discomfiture of Keats was apparent. Indecision and fear were in the
set of his head—bowed a little; and a dread reluctance was in his
shifting eyes and the pasty-white color of his face. It was plain that
Keats had overplayed; he had not intended to arouse the latent tiger in
Taylor; he had meant merely to embarrass him.
“Meaning that I’m a liar, Keats?”
Again Taylor’s voice was gentle, though this time it carried a subtle
taunt.
Desperately harried, Keats licked his hot lips and cast a sullen glance
around at the crowd. Then his gaze went to Taylor’s face, and he drew a
slow breath.
“I reckon I wasn’t meanin’ just that,” he said.
“Of course,” smiled Taylor; “that’s no way for a sheriff to act. Take
them in, Keats,” he added, waving a hand at the prisoners; “it’s been so
long since the sheriff of this county arrested a man that the jail’s
gettin’ tired, yawning for somebody to get into it.”
He turned his back on Keats and looked straight at Carrington:
“Have you got any ideas along the sheriff’s line?” he asked.
Carrington flushed and his lips went into a sullen pout. He did not
speak, merely shaking his head, negatively.
Keats’s glance at Taylor was malignant with hate; and Carrington’s
sullen, venomous look was not unnoticed by the crowd. Keats stepped
forward and seized the two prisoners, hustling them away, muttering
profanely.
Public-domain text, read in full here on John Shaqi.
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