“You’ll be goin’ to see Squint right away, ma’am, I suppose. You can
ease your horse right down the slope, here, an’ strike the level. You’ll
find a trail right down there. You’ll follow it along the crick, an’
it’ll take you into the Arrow ranchhouse. It’ll take you past me own
shack, too; an’ if you’ll stop in an’ tell the ol’ woman who you are,
she’ll be tickled to give you a snack an’ a cup of tea. She liked Larry
herself.”
The girl watched Mullarky ride away. He turned in the saddle, at
intervals, to grin at her.
Then, when Mullarky had gone she leaned against Billy and stood for a
long time, her shoulders quivering.
At last, though, she mounted the little animal and sent him down the
slope.
She found the trail about which Mullarky had spoken, and rode it
steadily; though she saw little of the wild, virgin country through
which she passed, because her brimming eyes blurred it all.
She came at last to Mullarky’s shack, and a stout, motherly woman, with
an ample bosom and a kindly face, welcomed her.
“So you’re Larry Harlan’s daughter,” said Mrs. Mullarky, when her
insistence had brought the girl inside the cabin; “you poor darlin’. An’
Ben told you—the blunderin’ idiot. He’ll have a piece of my mind when
he comes back! An’ you’re stoppin’ at the old Huggins house, eh?” She
looked sharply at the girl, and the latter’s face reddened. Whereat Mrs.
Mullarky patted her shoulder and murmured:
“It ain’t your fault that there’s indacint women in the world; an’ no
taint of them will ever reach you. But the fools in this world is always
waggin’ their tongues, associatin’ what’s happened with what they think
will happen. An’ mebbe they’ll wonder about you. It’s your uncle that’s
there with you, you say? Well, then, don’t you worry. You run right
along to see Squint Taylor, now, an’ find out what he knows about your
father. Taylor’s a mighty fine man, darlin’.”
And so Marion went on her way again, grateful for Mrs. Mullarky’s
kindness, but depressed over the knowledge that the atmosphere of
suspicion, which had enveloped her in Westwood, had followed her into
this new country which, she had hoped, would have been more friendly.
She came in sight of the Arrow ranchhouse presently, and gazed at it
admiringly. It was a big building, of adobe brick, with a wide porch—or
gallery—entirely surrounding it. It was in the center of a big space,
with timber flanking it on three sides, and at the north was a green
stretch of level that reached to the sloping banks of a river.
There were several smaller buildings; a big, fenced enclosure—the
corrals, she supposed; a pasture, and a garden. Everything was in
perfect order, and had it not been for the aroma of the sage that
assailed her nostrils, the awe-inspiring bigness of it all, the sight of
thousands of cattle—which she could see through the trees beyond the
clearing, she could have likened the place to a big eastern farmhouse of
the better class, isolated and prosperous.
Public-domain text, read in full here on John Shaqi.
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