The long controversies that have raged about Pope's rank as a poet seem at last to be drawing to a close; and it has become possible to strike a balance between the exaggerated praise of his contemporaries and the reckless depreciation of romantic critics. That he is not a poet of the first order is plain, if for no other reason than that he never produced a work in any of the greatest forms of poetry. The drama, the epic, the lyric, were all outside his range. On the other hand, unless a definition of poetry be framed--and Dr. Johnson has well remarked that "to circumscribe poetry by a definition will only show the narrowness of the definer"--which shall exclude all gnomic and satiric verse, and so debar the claims of Hesiod, Juvenal, and Boileau, it is impossible to deny that Pope is a true poet. Certain qualities of the highest poet Pope no doubt lacked, lofty imagination, intense passion, wide human sympathy. But within the narrow field which he marked out for his own he approaches perfection as nearly as any English poet, and Pope's merit consists not merely in the smoothness of his verse or the polish of separate epigrams, as is so often stated, but quite as much in the vigor of his conceptions and the unity and careful proportion of each poem as a whole. It is not too much to say that 'The Rape of the Lock' is one of the best-planned poems in any language. It is as symmetrical and exquisitely finished as a Grecian temple. Historically Pope represents the fullest embodiment of that spirit which began to appear in English literature about the middle of the seventeenth century, and which we are accustomed to call the "classical" spirit. In essence this movement was a protest against the irregularity and individual license of earlier poets. Instead of far-fetched wit and fanciful diction, the classical school erected the standards of common sense in conception and directness in expression. And in so doing they restored poetry which had become the diversion of the few to the possession of the many. Pope, for example, is preeminently the poet of his time. He dealt with topics that were of general interest to the society in which he lived; he pictured life as he saw it about him. And this accounts for his prompt and general acceptance by the world of his day.