In a bookshelf close to the mantel stood a volume of Schopenhauer,
Baudelaire’s “Fleurs du Mal,” and ten volumes by Gaillard—that is to
say, two volumes of each of his works; twinlets delicately bound, some
gay as grisettes, but “Satanitie” ash-colored, with a black devil
dancing on its back.
“Why,” said Toto, glancing at Daniel, “do you keep those odious prints
in your room?”
“I don’t keep them,” said Gaillard, rising with a distracted air, and
wiping his fingers on his coat. “My poverty keeps them; they are part
of the furniture. Look at the carpet, look at the curtains—what a
background! I am like a butterfly pinned to an outrageous tapestry,
an indecent arras; they are my cross. I took them up with the rooms.
Why do I remain in the rooms? They are haunted, Toto, by a man called
Mirmillard. He was an opium-eater, and lived by writing for the
_Quartier Latin_. You know the _Quartier Latin_? It is a _farouche_
little journal of sixteen pages or so, and appears monthly, or is it
quarterly? He blew his brains out just where you are sitting now;
the hole was extant in the wall a month ago, but I had it stopped
up with plaster. Have I seen his ghost? many times; it is one of my
inspirations, and that is why I endure those terrible curtains, that
terrible carpet, and, ah, _mon Dieu!_ those terrible pictures. Toto,
lend me your cigarette case; I will take three, and make you some
coffee—I have all the _implementa_ in this cupboard. Fanfoullard is not
coming, it seems. No matter; I will seek him to-morrow myself. To-night
perhaps, if we are lucky, we may see Mirmillard. He appeared to me only
three nights ago, and the gash in his throat gaped.”
“I thought you said he blew his brains out?”
“He completed the work with a razor,” said Gaillard, putting the little
kettle on to boil. “But enough of Mirmillard. These cigarettes are very
good. Let us talk of flowers.”
“Oh, bother flowers!” said the Prince, lying luxuriously back on the
old sofa, whose springs were bursting out below. “Tell me, Gaillard;
have you ever been in love with a woman?”
Gaillard, squatting before the fire, looked at the kettle with an
expression as though he were regarding the gash in Mirmillard’s throat.
He had never seen that gash, simply because there was no Mirmillard,
not even the ghost of one. He, like Fanfoullard, was one of Gaillard’s
creatures, born to bedizen conversation.
He made no response to Toto’s question.
“For I am,” said Toto, without waiting for one. “I never thought I
should be; but that girl’s eyes are quite different from other women’s.
But you will see her yourself to-morrow. Deuce! what is this?”
Public-domain text, read in full here on John Shaqi.
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