“How good it all is!” said Toto, as they drove over the Seine. He was
echoing Célestin’s eternal sentiment without knowing it. “What a lovely
world it is, and how little we see of it! We snore in our beds during
the best part of the day, and live the rest of our time by lamplight.”
“The world,” said Gaillard, “always reminds me of a poem written by a
shopkeeper to advertise his stale wares, unpunctuated and filled with
printer’s errors; that is why we read it by a dim light. It ought to
have been burnt; it was unfortunately published and given to us to
read. No one can make out what it is driving at; we have been spelling
at it now a million years; we began when we were apes, and we will end,
perhaps, when we are donkeys. I am sick of it; I would jump into the
Seine, only that such an act would delight De Brie.”
The cab stopped at the doorway of Célestin’s house, and the concierge,
Mme. Liard, greeted Toto effusively. Her heart was touched by the youth
of the lovers and the fact of Toto being an artist; that he should take
Célestin under his protection seemed to her as natural as the mating of
sparrows, and a piece of very good fortune for Célestin.
Her trunk stood in the passage, and on the trunk the parrot cage,
covered with green baize. From the cage came the occasional flirting
sound of wings, the occasional tinkle of the swinging ring—sounds that
bespoke uneasiness in the mind of Dodor.
Then Célestin came down the steep stairs, blushing, and Gaillard had
to admit that, even if the world were an ill-written poem, it had at
least some very beautiful passages; for Célestin had made for herself a
hat which was an amorous dream, and a girl friend, some lower Célestin
of the Rue St. Honoré, had, in a fit of sentiment, confected for her
a gown such as an angel in half-mourning need not have been ashamed
of. Toto had bought her a new pair of shoes, and she wore openwork
stockings. Toto kissed her before everyone; this was their only
marriage service.
“It makes me feel young again!” cried Mme. Liard as she carried the
parrot cage out, whilst the driver carried the trunk. “And I will come
and see you in your new home; and oh, monsieur,”—to Gaillard,—“she
ought to be careful, for her chest is not what it should be; it was
what killed her mother.”
“I will see that she wears a muffler,” replied Gaillard, whilst
Célestin got into the carriage, weeping from grief and happiness, and
kissing her hand to Mme. Liard.
Then the vehicle drove away, Gaillard on the front seat, the lovers
facing him, and Dodor’s cage beside the coachman.
Part III.
CHAPTER I.
GARNIER.
Public-domain text, read in full here on John Shaqi.
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