The Rayner-Slade AmalgamationFletcher, J. S. (Joseph Smith)
General
The Rayner-Slade Amalgamation
Fletcher, J. S. (Joseph Smith)
Detective and mystery stories
The packed audience evidently supposed the same thing. Over it--the
infant prodigy having received her meed of applause and bobbed herself
awkwardly out of sight--had come that atmosphere of expectancy which
invariably heralds the appearance of the great figure on any similar
occasion. It needed no special intuition on Allerdyke's part to know that
all these people were itching to show their fondness for Zélie de
Longarde by clapping their hands, waving their program, and otherwise
manifesting their delight at once more seeing a prime favourite. All eyes
were fixed on the wing of the platform, all hands were ready to give
welcome. But a minute passed--two minutes--three minutes--and Zélie de
Longarde did not appear. Another minute--and then, endeavouring to smile
bravely and reassuringly, and not succeeding particularly well in the
attempt, a tall, elaborately attired, carefully polished-up man,
unmistakably German, blonde, heavy, suave, suddenly walked on to the
platform and did obeisance to the audience.
"Weiss!" whispered Fullaway. "Something's wrong! Look at his face--he's
in big trouble."
The concert-director straightened himself from that semi-military bow,
and looked at the faces in front of him with a mute appeal.
"Ladies and gentlemen," he said, "I have to entreat the high favour of
your kind indulgence. Mademoiselle de Longarde is not yet arrived from
her hotel. I hope--I think--she is now on her way. In the meantime I
propose, with your gracious consent, to continue, our program with the
next item, at the conclusion of which, I hope, Mademoiselle will appear."
The audience was sympathetic--the audience was ready to be placated. It
gave cordial hearing and warm favour to the singer of Scottish
melodies--it even played into Mr. Concert-Director Weiss's hands by
according the local singer an encore. But when he had finally retired
there was another wait, a longer one which lengthened unduly, a note of
impatience sounded from the gallery; it was taken up elsewhere. And
suddenly Weiss came again upon the platform--this time with no
affectation of suave entreaty. He was plainly much upset; his elegant
waistcoat seemed to have assumed careworn creases, his mop of blonde hair
was palpably rumpled as if he had been endeavouring to tear some of its
wavy locks out by force. And when he spoke his fat voice shook with a
mixture of chagrin and anger.
Public-domain text, read in full here on John Shaqi.
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