“‘I was soon swimming about with a lot of other tads,
slapping tails, and having all kinds of fun’” 23
“A loud splash and Mr. Rana’s long legs disappeared in
the brook” 24
“‘I’m right over here in the shade’” 25
“‘The mother spins the cocoon of silk from her own
body’” 38
“‘Why, it’s Daddy Long Legs’” 46
“‘I made one of these pits and in the funnel end I lay
in wait for ants’” 76
The wise grasshopper 88
“‘My friends, there are ants and ants’” 160
“‘Then there are ants who keep slaves’” 162
“‘Then there are ants who cut pieces from green leaves
and carry them as parasols’” 163
The house of the mound-builder ant 165
“Vespa Maculata” 170
The Queen Bee and her bodyguard of drones 187
“‘Smart children, aren’t they?’ asked some moths” 203
“‘I am the moon moth, the Luna’” 213
[Illustration]
THE REAL FAIRY FOLK
[Illustration]
CHAPTER I
IN THE OLD WILLOW TREE
He prayeth best who loveth best
All things both great and small.
—_Coleridge._
Ruth climbed to her favourite perch in the old willow tree, and settled
Belinda in a crotch beside her.
“Now,” she said, drawing a long breath, “we will be cool and comfy.”
Certainly if there was a cool spot to be found on this hot August
morning it was in the shade of this big willow.
“Her very own tree,” as Ruth always called it, for, since she could
climb at all, she had loved to sit among its drooping branches and hear
the leaves whispering together the wonderful things, which she knew they
were telling each other, even though she could not understand them.
Then, too, she could look down into the brook, and watch the doings of
the queer little people who made their home there.
These, like all the tiny folk of the outdoor world, were a source of
never-failing interest and wonder.
In their company, Ruth was never lonely, even though she had neither
brother nor sister, nor indeed any little boy or girl to play with.
Still it would be so much nicer if she could only talk to the bugs and
things. There were such lots of questions she wanted to ask them.
Public-domain text, read in full here on John Shaqi.
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