The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Instead of making his editorial comments on his transcribed documents in
paginal foot-notes, it was Hogg's most objectionable and dangerous
practice to insert them in the body of the transcripts. Of course, in
doing so, it was his rule to put his initials after each editorial note,
and to place each 'initialed' note between brackets. Thus exhibited
between brackets, with the biographer's initials put immediately before
the second bracket, an editorial note is recognized at a glance by the
most careless reader, as no part of the transcribed document, but a mere
editorial elucidation of the preceding passage. Printed as Hogg intended
them to be, no one of these editorial notes could have been mistaken, even
momentarily, for a part and parcel of the writing, in whose body it was
inserted. But, unfortunately, for the biographer's reputation, these notes
were not always printed as he intended them to be printed. In some cases
the first bracket, in some cases both brackets, are omitted, though the
initials are inserted. There are also cases where a scrap of editorial
explanation is found without either brackets or initials. As Hogg was no
regular author, but a slap-dash rough-and-ready legal draughtsman (plying
his pen, in his proper vocation, with perfect confidence in the ability of
solicitors and law-stationers to correct the literal slips of his
compositions), he wrote copy for the press just as he slapt and dashed
copy off for his ordinary clients. A careless writer, he was also a
careless corrector of proofs. Hence it came to pass that editorial notes,
which he meant to bracket and initial (notes, which, of course, should
have been made at the foot, instead of in the body of his pages), came
under the public eye without the brackets and initials, that should, and
would, have distinguished them at a glance from the printed matter they
were intended to elucidate. That this is the explanation of the
interpolations in Hogg's transcripts, appears from--(1), the biographer's
practice of peppering his transcripts with initialed and bracketed scraps
of editorial comment; (2), the grammatical construction that distinguishes
the interpolations from the text in which they are set; (3), the absolute
inefficacy of the inserted passages for any end a dishonest interpolator
could have in view; and (4), the conclusive fact, that, whilst it is a
mere perplexing disturbance to the narrative, so long as it is taken for
part of the transcript, each of the interpolations becomes an intelligible
and more or less serviceable comment on the context, as soon as the reader
puts it into brackets, and deals with it as an editorial note. In respect
to these interpolations, and also in respect to all the other errors which
the biographer's enemies are pleased to regard as deliberate
misstatements, Hogg must be acquitted wholly of dishonest purpose. Had he
been duly mindful for brackets and initials, the interpolations, of which
Public-domain text, read in full here on John Shaqi.
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