The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 2 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
It being probable that these documents, or their substance, will at no
distant time be offered to the world as so much certain and indisputable
evidence, that Shelley had good moral ground for breaking from his wife,
it will be well for readers to anticipate the publication by settling in
their minds what effect any such evidence--whether coming from Shelley’s
pen, or from the pens of writers deriving their information _from
him_--should have on discreet and logical persons. Enough has been said of
Shelley’s veracity to show that it was not unimpeachable. The man, who had
recourse to deception, when his convenience required him to use it; the
man who, in 1811, made a statement about his mother and sisters, which his
neighbours at Horsham did not hesitate to call an untrue statement; the
man who wrote the wheedling letter to the Duke of Norfolk, in order to get
money out of his father’s pocket, cannot (to put the case mildly) be
regarded as a strictly truthful person. It has also been shown that he was
liable to delusions incompatible with perfect sanity. It will be shown in
ensuing pages that thus untruthful and liable to insane delusions, in his
earlier time, Shelley was no less untruthful and subject to delusions and
(to use Peacock’s term) semi-delusions, after leaving his wife. Bearing
all this in mind, how should judicious persons regard any statements made
by Shelley (or made by individuals speaking directly or indirectly on
_his_ authority, or in obedience to his influence), that before leaving
Harriett he found her guilty of flagrant misconduct?
Surely, judicious persons will say of such evidence, ‘These are mere _ex
parte_ statements. They are of less weight than most _ex parte_
statements, because they proceed from a witness, who was on some occasions
untruthful, and on several occasions the victim of extravagant and insane
hallucinations. Coming from the chief actor in the Tanyrallt affair, from
the man who for a time thought similar evil of his dearest male friend,
these statements to the dishonour of the wife he deserted must be
considered with reference to one of his chief moral infirmities, and with
reference to his mental peculiarities. These statements are not so much
evidence of guilt in Harriett, as of delusion in her husband.’
The incredibility of such statements would, of course, be affected by the
production of a clear confession by Harriett, that, before he left her,
she had been conjugally faithless to him; or by the production of
reasonable evidence that she did admit so much to her shame. But even such
an admission would have to be considered with jealous regard to the
influences and circumstances under which it was made, and also with
reference to the curious fact that she had been in former time brought to
believe, or to act as though she believed, that Hogg had made an attempt
on her honour, which he did not make upon it.
Public-domain text, read in full here on John Shaqi.
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