Man-woman relationships -- Fiction; Washington (D.C.) -- Social life and customs -- Fiction
Fully aware of these things, and rejoicing in the rich memories of a
varied past, when she had known all the great men of her day, old Mrs.
Allestree delighted in observing the world of fashion from her retired
corner and, though devoted to her son and admiring and believing in his
talent, she sometimes suffered a keen pang of regret that her sister
and not she had borne William Fox. But she was jealously afraid of this
secret thought, scarcely admitting it even to herself, because of her
intuitive feeling that Allestree had already suffered and might suffer
more at the hands of his brilliant and careless cousin, and that he was
supremely gifted in the refinements of self-torture.
It was twilight, and Mrs. Allestree sat alone by her drawing-room
window watching for her son’s return from his workshop. She had been
a very handsome woman, and even in age retained much of her beauty
and dignity, and her figure and face were finely outlined as she sat
against the folds of heavy velvet curtains, looking down into the
street where the lamps had just been lighted and shone with the vivid
whiteness of electricity on the smooth pavements, while the carriages
and motor-cars were beginning to wheel by on their return from
afternoon receptions, teas, and matinées. Below, at the circle, she saw
the gayly lighted electric cars sweeping around the curve and receding
to a final vanishing point of light at the top of a distant hill, while
above it the sky was still bright with the afterglow and one star shone
like the tip of a naked sword. The city in this retired quarter showed
its most kind and friendly aspect, suggesting nothing of the struggle
and rush of modern life, but only the whirl of winter gayety, the
ceaseless rounds of society.
Within was an atmosphere of repose and comfort; the tea-table was
set by the open fire, and the rose-patterned, silver tea kettle was
emitting a little cloud of steam when Allestree finally opened the door.
“Well, mother, you here alone in the dark?” he remarked, as he
turned on some light and revealed the warm homeliness of the large
old-fashioned room, with its mahogany furniture, its soft rugs and
velvet hangings, and its long, oval mirrors framed in gold and
surmounted by cupids and lovers’ knots.
“Never less alone than when alone,” she replied brightly, and then
glancing shrewdly at his slightly perturbed expression, she added:
“you’ll take some tea, you look tired.”
“No,” he replied, throwing himself into an easy chair by the fire;
“Rose made some tea in the studio, and it’s a bit too late now for
another cup.”
“So Rose kept her appointment? I hope you got on with the portrait.”
Allestree shrugged his shoulders. “Impossible, Fox came and then
Lily Osborne. The gods don’t mean that I shall finish that picture.
And Reynolds painted several of his best in eight hours!” he added
despairingly.
But his mother ignored the latter part of his speech. “Fox?” she
glanced at him keenly, “then the House adjourned?”
Public-domain text, read in full here on John Shaqi.
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