Man-woman relationships -- Fiction; Washington (D.C.) -- Social life and customs -- Fiction
Daddy Lerwick himself waited on her. He was a short, thickset man with
the face of an underdone pudding, his gray whiskers attached like wings
below the ears. His small dull eyes seemed to observe little, but he
was notorious for driving a shrewd bargain and nothing really escaped
him.
“The stones are good stones,” he commented, clasping his fat creased
hands on the case in an attitude which displayed the solitaire on his
little finger, “and the price very low, madam.”
Margaret laughed, her eyes haggard again. “You get them second-hand,”
she observed carelessly; “who brought these?”
He looked at her without surprise and unclasped his hands. “I have the
name,” he said; “the law requires that we take the name, but I don’t
think they ever give the right one, and we don’t tell it--usually. It
was a young girl, madam, quite a young girl.”
“Never mind!” Margaret dropped the chain, her mood changing. “I really
didn’t want to know,” she said with a shrug, “why should I? I don’t
know why I asked. I’ll take the gold cigarette-case, if you can get the
monogram off, and the tea-pot. Bring them over and I’ll send the check.”
The man bowed and rubbed his hands. He knew Margaret very well and
profited largely by her careless and profuse use of money. Knowing
the world too, as he did, and the people in it, he thought her more
wretched than the girl who had traded the bracelet, or the owner of the
gold cigarette-case who, he happened to know, had since shot himself
and now lay in an unmarked grave. Daddy Lerwick, indeed, knew more than
was good for him but, perhaps, not more than many others who stand thus
at the gateway between the upper stratum of gilded pleasure and the
lower stratum of sordid misery, and receive the tolls!
Meanwhile, unconscious of his eyes and certainly proudly disdainful
of his thoughts, the society beauty, the Cabinet minister’s wife,
trailed through the dingy shop and passed out by the side door, which
Lerwick opened for her, to the stairs of Allestree’s studio. As she
ascended, the cloud which had rested on her face slightly cleared and
her expression grew more decisive; the desolate misery of her heart had
taken a more concrete form, she had arrived at last at a resolution.
She had reached a point where she must resist or die. Her bruised
heart throbbed with continuous pain and she was proudly aware that she
was losing all--losing it, too, without an apparent struggle. She,
Margaret, who had always borne herself proudly and defiantly to the
world, was she to be a mendicant asking the alms of love and asking it
in vain?
Public-domain text, read in full here on John Shaqi.
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