United States -- History -- Civil War, 1861-1865 -- Fiction
On the afternoon of such a day as this Rachel Bond sat beneath an
apple-tree at the crest of a moderate hill, and looked dreamily
away to where, beyond the village of Sardis at the foot of the hill,
the Miami River marked the beautiful valley like a silver ribbon
carelessly flung upon a web of green velvet. Rather she seemed
to be looking there, for the light that usually shown outward in
those luminous eyes was turned inward. The little volume of poems
had dropped unheeded from the white hand. It had done its office:
the passion of its lines had keyed her thoughts to a harmony that
suffused her whole being, until all seemed as naturally a part
of the glorious day as the fleecy clouds in the sapphire sky, the
cheerful hum of the bees, and the apple-blossoms' luxurious scent.
Her love--and, quite as much, her girlish ambition--had been crowned
with violets and bays some weeks before, when the fever-heat of
patriotism seemed to bring another passion in Harry Glen's bosom
to the eruptive point, and there came the long-waited-for avowal of
his love, which was made on the evening before his company departed
to respond to the call for troops which followed the fall of Fort
Sumter.
Does it seem harsh to say that she had sought to bring about this
DENOUEMENT? Rather, it seems that her efforts were commendable.
She was a young woman of marriageable age. She believed her her
mission in life was marriage to some man who would make her a good
husband, and whom she would in turn love, honor, and strive to
make happy. Harry Glen's family was the equal of her's in social
station, and a little above it in wealth. to this he added educational
and personal advantages that made him the most desirable match in
Sardis. Starting with the premises given above, her first conclusion
was the natural one that she should marry the best man available,
and the next that that man was Harry Glen.
Her efforts had been bounded by the strictest code of maidenly
ethics, and so artistically developed that the only persons who
penetrated their skillful veiling, and detected her as a “designing
creature,” were two or three maiden friends, whose maneuvers toward
the same objective were brought to naught by her success.
It must be admitted that refining causists may find room for censure
in this making Ambition the advance guard to spy out the ground
that Love is to occupy. But, after all, is there not a great deal
of mistake about the way that true love begins? If we had the data
before us we should be pained by the enlightenment that, in the
vast majority of cases the regard of young people for each other
is fixed in the first instance by motives that will bear quite as
little scrutiny as Miss Rachel Bond's.
Public-domain text, read in full here on John Shaqi.
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