The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
Sorel's answer was at first simply a long-winded recitation of
all the formulas of respect which he knew by heart. While he was
repeating these empty words with an uneasy smile, which accentuated
all the natural disingenuousness, if not, indeed, knavishness of his
physiognomy, the active mind of the old peasant tried to discover what
reason could induce so important a man to take into his house his
good-for-nothing of a son. He was very dissatisfied with Julien, and
it was for Julien that M. de Rênal offered the undreamt-of salary of
300 fcs. a year, with board and even clothing. This latter claim, which
Father Sorel had had the genius to spring upon the mayor, had been
granted with equal suddenness by M. de Rênal.
This demand made an impression on the mayor. It is clear, he said to
himself, that since Sorel is not beside himself with delight over my
proposal, as in the ordinary way he ought to be, he must have had
offers made to him elsewhere, and whom could they have come from, if
not from Valenod. It was in vain that M. de Rênal pressed Sorel to
clinch the matter then and there. The old peasant, astute man that
he was, stubbornly refused to do so. He wanted, he said, to consult
his son, as if in the provinces, forsooth, a rich father consulted a
penniless son for any other reason than as a mere matter of form.
A water saw-mill consists of a shed by the side of a stream. The roof
is supported by a framework resting on four large timber pillars. A
saw can be seen going up and down at a height of eight to ten feet in
the middle of the shed, while a piece of wood is propelled against
this saw by a very simple mechanism. It is a wheel whose motive-power
is supplied by the stream, which sets in motion this double piece of
mechanism, the mechanism of the saw which goes up and down, and the
mechanism which gently pushes the piece of wood towards the saw, which
cuts it up into planks.
Approaching his workshop, Father Sorel called Julien in his stentorian
voice; nobody answered. He only saw his giant elder sons, who, armed
with heavy axes, were cutting up the pine planks which they had to
carry to the saw. They were engrossed in following exactly the black
mark traced on each piece of wood, from which every blow of their axes
threw off enormous shavings. They did not hear their father's voice.
The latter made his way towards the shed. He entered it and looked in
vain for Julien in the place where he ought to have been by the side of
the saw. He saw him five or six feet higher up, sitting astride one of
the rafters of the roof. Instead of watching attentively the action of
the machinery, Julien was reading. Nothing was more anti-pathetic to
old Sorel. He might possibly have forgiven Julien his puny physique,
ill adapted as it was to manual labour, and different as it was from
that of his elder brothers; but he hated this reading mania. He could
not read himself.
Public-domain text, read in full here on John Shaqi.
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