The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
A feverish attack of one of her sons would affect her almost as deeply
as if the child had died, though she would not deign to confide
in anyone. A burst of coarse laughter, a shrug of the shoulders,
accompanied by some platitude on the folly of women, had been the only
welcome her husband had vouchsafed to those confidences about her
troubles, which the need of unburdening herself had induced her to make
during the first years of their marriage. Jokes of this kind, and above
all, when they were directed at her children's ailments, were exquisite
torture to Madame de Rênal. And these jokes were all she found to take
the place of those exaggerated sugary flatteries with which she had
been regaled at the Jesuit Convent where she had passed her youth. Her
education had been given her by suffering. Too proud even to talk to
her friend, Madame Derville, about troubles of this kind, she imagined
that all men were like her husband, M. Valenod, and the sub-prefect,
M. Charcot de Maugiron. Coarseness, and the most brutal callousness to
everything except financial gain, precedence, or orders, together with
blind hate of every argument to which they objected, seemed to her as
natural to the male sex as wearing boots and felt hats.
After many years, Madame de Rênal had still failed to acclimatize
herself to those monied people in whose society she had to live.
Hence the success of the little peasant Julien. She found in the
sympathy of this proud and noble soul a sweet enjoyment which had all
the glamour and fascination of novelty.
Madame de Rênal soon forgave him that extreme ignorance, which
constituted but an additional charm, and the roughness of his manner
which she succeeded in correcting. She thought that he was worth
listening to, even when the conversation turned on the most ordinary
events, even in fact when it was only a question of a poor dog which
had been crushed as he crossed the street by a peasant's cart going
at a trot. The sight of the dog's pain made her husband indulge in
his coarse laugh, while she noticed Julien frown, with his fine black
eyebrows which were so beautifully arched.
Little by little, it seemed to her that generosity, nobility of soul
and humanity were to be found in nobody else except this young abbé.
She felt for him all the sympathy and even all the admiration which
those virtues excite in well-born souls.
If the scene had been Paris, Julien's position towards Madame de Rênal
would have been soon simplified. But at Paris, love is a creature of
novels. The young tutor and his timid mistress would soon have found
the elucidation of their position in three or four novels, and even
in the couplets of the Gymnase Theatre. The novels which have traced
out for them the part they would play, and showed them the model which
they were to imitate, and Julien would sooner or later have been forced
by his vanity to follow that model, even though it had given him no
pleasure and had perhaps actually gone against the grain.
Public-domain text, read in full here on John Shaqi.
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