The Red Court Farm: A Novel (Vol. 1 of 2)Wood, Henry, Mrs.
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The Red Court Farm: A Novel (Vol. 1 of 2)
Wood, Henry, Mrs.
English fiction -- 19th century
Clara thought it a curious dream--curious because it represented what
had actually occurred, and the bent of her own feelings; curious also
because it was so unusually vivid, so like reality. She got out of bed
quietly, not to disturb her husband, struck a wax match, and looked at
the hanging watch. It was exactly three o'clock.
But the dream was not yet over. She went to sleep again, taking up the
thread almost at the point where she had left it. She remembered all
that had passed, _both of dream and reality_; she remembered that she
awoke in the certainty that she could not go beside the dreaded
expedition; all _that_ was plain in this, her second sleep, but she
now began making strenuous exertions to escape. She did not see her
husband again, but Mary Ann and Margaret Jupp had joined Mrs. Chester,
and the three seemed to be forcing her to go. Not by force of
violence, but of argument, of persuasion; and she still seemed to know
that they must prevail, that to withstand at the last would be beyond
her power.
The time appeared to change to the morning of departure: or rather,
with that inconsistency peculiar to dreams, it appeared to be the
morning of the departure without having changed. Still she strove
against it; not saying why, not hinting that she feared evil; of that,
she had only spoken with her husband; but striving, not to go, by
every possible argument, and by _passive_ resistance. And--strange
inconsistency!--it appeared that if she could have told them the
reason of her reluctance, her dread of evil, all would have been well;
but it was precisely to them she must not and dared not tell it.
To any who may fancy the description of the dream unnecessarily spun
out, the small details too much dwelt upon, I would say just a word.
It is difficult to shorten that real dream of midnight sufficiently
for it to be told within reasonable bounds. No pen can trace its
particulars as they appeared; no power of language describe them as
they were pictured. And now to resume it.
Public-domain text, read in full here on John Shaqi.
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