The Red Court Farm: A Novel (Vol. 2 of 2)Wood, Henry, Mrs.
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The Red Court Farm: A Novel (Vol. 2 of 2)
Wood, Henry, Mrs.
English fiction -- 19th century
The carriage, very much to the displeasure of Mary Anne, had not come
over for her. Mr. Thornycroft explained that one of the horses he
generally drove in it was found to be lame that morning. They got into
the omnibus, the captain preferring to place himself with his ribbons
and his wooden leg flat on the roof amidst the luggage. On the
outskirts of Jutpoint, in obedience to his signal, the driver came to
a standstill before the door of the "White Cliff" public-house, and
the captain's head appeared at the back window, in a hanging position,
inquiring whether brandy or rum would be preferred; adding, with a
somewhat fierce look at Mr. Thornycroft and Isaac, that _he_ should
stand glasses round this time. Very much to the captain's
discomfiture, the young ladies and the gentlemen declined both; so the
only order the crestfallen captain could give the White Cliff was for
two glasses of rum, cold without; that were disposed of by himself and
the driver.
"Mind, Anna! I feel three-parts of a stranger in this place, and have
really not a friend of my own age and condition in it, so you must
supply the place of one to me during these holidays," said Miss
Thornycroft, as the omnibus reached its destination--the Mermaid.
"Part of every day I shall expect you to spend at the Red Court."
"I beg to second that," whispered Isaac, taking Anna's hand to help
her out. And she blushed again that day for about the fiftieth time
without knowing why or wherefore.
Not upon these summer holidays can we linger, because so much time
must be spent on those of the next winter. _On those of the next
winter!_ If the inmates of the Red Court Farm could but have foreseen
what those holidays were to bring forth for them! or Mary Anne
Thornycroft dreamt of the consequences of indulging her own self-will!
Just a few words more of the present, and then we go on.
Public-domain text, read in full here on John Shaqi.
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