The Red Cross Girls with Pershing to VictoryVandercook, Margaret
General
The Red Cross Girls with Pershing to Victory
Vandercook, Margaret
Nursing -- Juvenile fiction; Red Cross and Red Crescent -- Juvenile fiction; World War, 1914-1918 -- Juvenile fiction
Older than her companions, Theodosia's dramatic Irish instinct was
somewhat overwhelming. Even the little Luxemburg countess felt her own
story of less interest and importance by comparison.
Fortunately Theodosia had also an Irish sense of humor and observing the
awestruck expressions of her companions, suddenly she laughed a gay
little laugh which was one of the attractions of her odd and not always
pleasing personality.
"Oh, you must not take what I have just told you too seriously. Ruth
Carroll, who understands me better than any one else, says I get more
pleasure than sorrow out of my queer history. As for the dancing I only
wish to do folk dancing and Mrs. Clark tells me the soldiers are
beginning to be interested in folk dancing as one of the methods of
amusing themselves. I told her how much I was interested and she told me
there might be a chance to help entertain the soldiers as well as nurse
them, after the army of occupation settles down for a long watch upon
the Rhine. Goodnight," and even more quickly than she had appeared,
Thea, as her friends called her, slipped out of the big chair and
disappeared.
A few minutes later Bianca went her way to bed. She was wearing a small
pin which the Countess Charlotta had given her, not only as a mark of
her friendship, but for a secret reason which only the two girls were to
know.
So it chanced that the group of Red Cross girls and the little Luxemburg
countess became fairly well acquainted with each other's past histories
because of the natural fondness of girls for confiding in one another.
Only Nora Jamison never talked of herself, and though appearing
perfectly friendly, seemed to devote all her spare time to the
companionship of the little French girl, Louisa.
CHAPTER IX
"_Life's Little Ironies_"
ONE afternoon the Countess Charlotta was alone in her room walking up
and down in a restless fashion for a girl who had been so recently
injured. Her forehead was still bandaged and her arm in a plaster cast,
but otherwise she was apparently well. Nevertheless, she showed the
results of the strain of her accident and perhaps of her personal
problem.
She looked older than one would have supposed from her half-joking and
half-serious conversations with Bianca Zoli and the other Red Cross
girls.
In spite of her natural gayety and the warmth and color of her nature,
which she had inherited from her French ancestry, the girl faced a
difficult future.
All her life it seemed to her she had been in opposition to her
surroundings, throwing herself powerlessly against ideas and conditions
she could not alter. Everything that belonged to the old German order of
existence she had always hated. From the time of her babyhood her father
had appeared to her as a narrow tyrant insisting that she should spend
her days in a routine which pleased him, without consulting either her
wishes or her talents. As a matter of fact, the small countess had a
will of her own and resented dictation.
Public-domain text, read in full here on John Shaqi.
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