The Red Debt: Echoes from KentuckyMacDonald, Everett
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The Red Debt: Echoes from Kentucky
MacDonald, Everett
Kentucky -- Fiction
He kept pace with her, dinning into her ears an avalanche of torrid
appeals, urging her to flee with him. To his onslaught of frantic words
she maintained a stoic silence.
This apparent indifference seemed to enrage him beyond all
self-restraint. At a point near the open door of the kitchen, he
suddenly grasped her wrist and pulled her toward him. With a dexterous
turn she put her back to him, twisting her arm so a cry of pain rose to
her throat, though she closed her teeth hard upon it.
He held on, and she felt the wheeze of his hot, fierce breath beating
against her shoulder.
She could not alter her position without throwing herself face to face
with him, so she leaned outward, and then slowly turned her head and
their eyes met; and in that instant Orlick loosened his grip as though a
hot bar had been laid across his two hands.
Sin had long been Orlick's adopted brother. Since early boyhood odious
temptings and wild deeds had been his running-mates. When a soul has
known naught but abasement and evil the sight of good is appalling. He
stood away now, puzzled at first and strangely disturbed.
She still stood half smiling. It was a pitying smile. Orlick was
dismayed and crestfallen, and in that minute he knew that he had
jeopardized his last hope.
With a tenacious persistence, born to the breed of his kind, he ventured
a lame apology. With his perfunctory laugh he suddenly stammered the
fragments of words, confused and inarticulate.
"Sho'," he was muttering. "I wus jest a funnin', Belle-Ann. Yo' thought
I wus a goin' t' kiss yo'. I warn't. Ha! ha! ha!--thet's one on yo'-all!
Yo' thought I wus a meanin' thet. I wus jest a funnin', Belle-Ann," he
ended in a faltering attempt at vindication.
"I air powerful sorry," she breathed in her soft tones, "I've hearn lots
th' folks says, Orlick; but I wusn't a believin' thet yo'-all'd hurt a
gurl thet-away."
Her mild reproach stirred him to a vehement defense. He sprang forward.
In two strides he was beside her.
With a hand that shook perceptibly he strove gently to touch her hand.
But she deftly raised her hands and locked them safely behind her head;
a posture which seemed to fix the crucifixion of his one last, fleeting
hope.
"Good Gawd, Belle-Ann," he cried, "yo' hain't hurted! I wus only
foolin'. I wouldn't darst kiss yo', Belle-Ann, lessen yo' let me. I'd
die daid ten times 'fore I'd hurt yo'-all! Don't be mad, Belle-Ann," he
pleaded guiltily.
"I air powerful sorry--sorrier than I kin say--thet I ever knowed a
man's name whut'd hurt a gurl. I don't know what pap an' Lem 'll say."
The terrible look that flamed up into Orlick's face stopped her words.
The mention of Lem's name had a galvanic effect upon him.
It seemed to rake across all the rampant, violent passions of his
nature.
Public-domain text, read in full here on John Shaqi.
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